In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Katie Bret-Day is influenced by the work of the Surrealists and has an interest in the materiality of photography. She has an affection for the traditional format of photography, but likes to combine this passion with digital methods to produce new and provocative pieces. Bret-Day speaks to us about the practitioners that have inspired her and how she communicates with her audience.
City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London
50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.
This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.
To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.
Photographer Rotimi Fani-Kayode was a highly influential figure in 1980s black British and African contemporary art, and although his career was cut short by his untimely death at the age of 34, Fani-Kayode remains one of the most significant names in the history of black photography.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Corinne Silva’s vibrant photographs examine the use of the still and moving image in suggesting metaphysical space. Her visual language engages with the limits of lens-based media and its potential to explore the evolving relationship between politics, landscape and art histories. Silva speaks to us about her Imported Landscapes series and her dual use of photography and film.
Turner Prize nominee Marvin Gaye Chetwynd and American photographer Anne Collier mark the 20th anniversary of Studio Voltaire with their first solo presentations to take place within one of London’s public galleries. Chetwynd will present her largest commission to date, Hermitos Children 2, within a large-scale installation whose props and interiors will immerse visitors within her world of 16th century wandering troupes and wild, costumed, carnivalesque live performances.
There is still time today to enter Aesthetica’s creative opportunities for artists and writers. The Aesthetica Art Prize, now in its eighth year, celebrates excellence in contemporary art from around the world. Artists at any stage in their career working in all media are invited to submit works that demonstrate innovation, creativity and technical skill. The Aesthetica Creative Writing Award supports and publishes literary talent on an international scale, selecting finalists for publication in the Aesthetica Creative Writing Annual. We present the prizes available for both awards, which make them essential events to take part in this year.
In her digital portraits, Inés Molina Navea superimposes details from photographs of up to five different faces in order to create images of people who have never existed. As well as being a de-construction of Henri Cartier-Bresson’s idea of “the decisive moment” in photography, Molina Navea wants to use these images to reveal modern practices of social control. Her 541 días (541 days) selected for exhibition in the Aesthetica Art Prize has recently been purchased by Hiscox and is now included in a major international art collection. We talk to Molina Navea about her work and this latest accolade.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Russian born documentary photographer Olga Kravets began her career as as a journalist in 2002 and became a freelance photojournalist in 2007. Her striking images are often captured within conflict zones and she discusses the dangers of capturing these shots and the impact it has on her.
Drawing from Hetherington’s series, Infidel and Diary (2007 – 2008) which documents the experience of war from the perspective of the individual, Infidel consists of large-scale photographs of the Korengal Valley in Afghanistan, as well as intimate portraits of the American troops stationed there. Through photographs, text work and films, Hetherington reconsiders human suffering as a result of war, both from the perspective of ordinary soldiers as well as the civilians caught up in the conflict.