Previous Aesthetica Art Prize finalists include photographer Pamela Z. Daum, whose Same Scene, Different Day, aka SSDD, is part of an ongoing infrared series of the view of West Twin Lake from her house, which she captures each day. The bones of the landscape remain static and suggest a reassurance of permanence, though the atmosphere and sky speak of constant change, evoking the ephemeral nature of memory.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.
In Family Secrets: Acts of Memory and Imagination, Annette Kuhn commented that a photograph should not be considered a ‘mirror of the real’ but ‘material for interpretation, evidence in that sense: to be solved, like a riddle; read and decoded, like clues left behind at the scene of a crime. Evidence of this sort, though, can conceal, even as it purports to reveal, what it is evidence of. A photograph can certainly throw you off the scent’. While Kuhn’s comments may be applied to any genre of photography, they are particularly relevant to family photography in which, when face to face with a camera, the conventional response is to smile, an act which often masks a much wider range of emotions.
Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for emerging artists wanting to make a significant impact upon the art world today. With prizes ranging from up to £5,000 to editorial coverage in Aesthetica Magazine, which has an impressive readership of 168,000 worldwide, this is a unique opportunity to generate greater exposure. Read Cass Art’s recommendations here.
Appropriately enough, with the UK recently basking in a rare summer heatwave, the Photographers’ Gallery’s latest Print Sales selling exhibition evokes the British seaside holiday – complete with ice creams. Didn’t We Have A Lovely Time, featuring the work of five leading British photographers, celebrates the landscape, traditions and rituals of the seaside.
We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts, film, music and cultural industries, our judges lend their expertise to support the next generation of leading practitioners. The panellists will be looking for innovative artworks that display excellence in technical skill and ability. The Judging Panel includes the following art-world professionals.
The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously at its North London home in a former Methodist chapel. They combine new site-specific works with pieces selected from the 3,000 works spanning 40 years of modern art which are held by the Collection. Each of the artists contributing engages in a distinctive way with the question of how to make sculpture today, while at the same time a number of threads can be seen which link their approaches. A central concern is an evocation of the human body and its fragile, messy nature, as well as the passing of time.
Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Based in London, Griffin Gallery supports emerging artists through its diverse programme of exhibitions and its annual art prize, Griffin Art Prize. Above the gallery space are two fully equipped artists’ studios available for short and long term residencies, and adjoining the studios is the Innovation and Development Laboratory where new artists’ materials are developed for Winsor & Newton, Liquitex, Conté á Paris and more. Pelly-Fry speaks to Aesthetica about her interest in new artists and the hurdles they have to overcome to succeed.
Nicholas Gentilli is a photographer with over 30 years’ experience of shooting places and spaces. His professional genesis lay, until 4 years ago, in the architectural photography that has quintessentially represented his career, before he laid down his commercial toolbag in favour of a pursuit of his more artistic urges. Gentilli’s photograph Au bord de la Mer was longlisted for the Aesthetica Art Prize. It comes out of a visit to Vancouver where the sense of East meeting West is very powerful. We speak to Gentilli about his photographic practice.
This new exhibition at the Marian Goodman Gallery presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries including Cuba, England, Holland, Kosovo, Albania and Taiwan, Some Artists’ Artists showcases a multitude of voices in which resonances and dissonances emerge.
With the Aesthetica Art Prize call for entries deadline on 31 August 2014, we look in depth at the work of longlisted artists from the latest edition. Anyes Galleani is an Italian-born, Los Angeles based visual artist that uses photo montage and collage to create unique images and paintings.
In the countdown to the Aesthetica Art Prize call for submissions deadline on 31 August 2014, we look in focus at artists from the latest award. Conceptual artist Marie Brenneis was featured in the Video, Installation & Performance category with Deliberate Digression an installation that incorporates wearable sculptures exploring themes of fantasy and conformity.
What has, for the last 16 years, been an ambitious programme of photography exhibitions throughout Madrid has shifted course. Diverging from its tradition of engaging one international curator to organize different thematic programming as was the case for the last three years, this year PHotoEspaña’s “Official” programme presents exclusively Spanish photography, organised “in house” with participating venues. This creative strategy was, at least in part, a response to the challenge that all arts organisations are facing, and particularly in austerity-challenged Spain, with significant declines in private and public funding. The silver lining, is that for the first time Spanish photography, from the medium’s earliest days to the present, is finally receiving full attention.
Kyler Zeleny’s work focuses on the family album and found Polaroids. His current interests relate to rural mythology, in which he using photography to explore cultures. Zeleny was longlisted in the 2014 Aesthetica Art Prize with his piece Broken Road from his current Out West project.
Every year Robin Rice curates Summertime Salon, a showcase to exhibit the best of her collected artists’ strengths and aesthetics. Representing 56 artists, one of the most exciting parts of the Summertime Salon is the introduction of new artists and of new work by established practitioners.
From 1964 until 2002, a unique blend of teaching, student engagement and documentation that took place at Birmingham’s Centre for Contemporary Cultural Studies (CCCS). Founded at the University of Birmingham by sociologist Richard Hoggart in 1964, it was one of the first academic bodies to examine the impact of popular culture, particularly in Britain, from music and television programmes to fashion trends. In 2002 the CCCS was dramatically closed due to a restructuring at the university with hundreds of students being placed into new departments. Now, in 2014, the 50th anniversary of its establishment, a series of events and exhibitions, of which one is Vivid Project’s Looking Out From The CCCS, celebrate its legacy.
One of the UK’s most ambitious art exhibitions, the third edition of Folkestone Triennial commissions a number of internationally recognised artists to create a collection of new artworks that will be exhibited in Folkestone’s public spaces under the title, Lookout. Among the artists included in this year’s Triennial are Yoko Ono, Andy Goldsworthy, Pablo Bronstein, Tim Etchells and Sarah Staton.
Huis Marseille showcases the first ever retrospective of Guido Guidi (b.1941). Spanning a 40 year career, Guidi’s work in photography highlights his early interest in architecture and explores the environment around him in a unique way. After studying architecture in Venice, Guidi’s interests moved towards photography until he devoted himself fully to the medium in the mid-1960s.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. We welcome entries from all age ranges and experience levels, from upcoming talents to established practitioners. One & Other highlight the opportunities presented by the 2015 Aesthetica Art Prize awards.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement. There are 100 practitioners included and they span across all media from sculpture and installation to video and performance.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. Running until 6 July, the event is Britain’s newest international art fair, showcasing work by emerging and established artists from over 50 leading national and international galleries. Part of the the cultural programme for the UK’s International Festival for Business, the inaugural edition of the fair opens with a VIP launch and preview opening night on 3 July.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios opened their private working spaces and courtyard – bustling with performance artists, educational workshops, stalls, bars, and DJ beats – to the public. Housing 150 artists, Bow Road Studios consist of a renovated Nunnery (now also a gallery space); its surrounding four-storey buildings, and the recently converted biscuit factory, P1 Studios.
The collective exhibition Memory Lane explicitly prompts memories as a result of reconstructed history through the means of art. Right at the entrance, it’s the series of photographs, Tito in War (1992-1995), by Milomir Kovačević, that commemorates Tito’s portrait in after-war public spaces. Covered with blood, protected by broken glass, hanging on a half-demolished wall, these 33 photographs of photographs enact the symbolism of the leader’s portrait presence and legitimises the space.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Visitors voted for their favourite artwork in the group show between 4 April and 22 June, which presented the finalists from the Aesthetica Art Prize along with a further 92 artworks from the longlist displayed on monitors within the gallery.
Lizzie Cawthray is challenging the outdated notions of knitwear with her fresh, stylish and playful company, Needle. Cawthray aims to produce luxurious pieces that make her customers feel fantastic. After working as the knitwear product developer at LK Bennet for a number of years, Cawthray decided to focus her attentions fully on the versatile material and Needle was born. She speaks to Aesthetica about her future plans and the designers who inspire her.
Born in Athens, Virginia Damtsa is a contemporary art dealer and the Co-Founder of Riflemaker gallery in London. Moving to Paris when she was selected by the Opera National de Paris schools to train for a career in dance, she studied in Paris, Belgium, New York and Cambridge, England before moving to London in 1990 to continue her studies in the arts whilst working on private sales including Monet and Picasso. In 2004, she co-founded Riflemaker with Tot Taylor. Damtsa speaks to Aesthetica about her thoughts on contemporary art and her inspirations.
Mexico has had a long and tumultuous history that has contributed to the making of it as such an iconic country. From ancient pre-hispanic people to the urban modernity of its contemporaries, the vast array of influences that have been adopted by its citizens has created a uniquely Mexican worldview and way of life. Now placed as an ‘emerging power,’ the country’s enduring recognition of its traditions, alongside a simultaneous ability to embrace the future, makes for an intriguing society.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in Aesthetica Magazine. Artists in a significant point in their career have a unique opportunity to further their engagement in the international art world. The Press reports on the importance of this new award.
This weekend is full of fascinating exhibitions, utilising all sorts of media. Sebastian Errazuriz uses a 3D printer to create his sculptures, while Sonic Social in Sydney harnesses sound to create site-specific works and Stan Douglas’ Mise en scène blurs the line between photography, performance and film. Marina Abramović continues the 512 hours she’ll spend in the Serpentine this summer, using her body and her presence as media. In New York, Some Artists’ Artists brings together work in a variety of media, chosen by some of the most influential artists working today.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
Peter Bunnell’s 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practise, through its presentation of photographic images arranged in a sculptural manner, and it also gave valuable national exposure to photography as a highly-innovative contemporary art discipline. As well as capturing the revolutionary mood of the times, by showcasing artists working at the vanguard of what was occurring socially, politically, and technologically, it was an exhibition whose legacy continues to exert an influence on photographic practice today.
For the first time in the UK, 40 modern prints from Danny Lyon’s The Bikeriders series will be showcased at ATLAS Gallery. Lyon (b.1942) immersed himself utterly into the lives and culture of the Chicago Outlaws Motorcycle Club from 1963 to 1967 and these images are an iconic representation of that time, offering a raw and lively insight into the biker culture of the 1960s.
Document Scotland, Beyond the Border: New Contemporary Photography from Scotland, Impressions Gallery, Bradford
The vote to decide whether Scotland becomes an independent nation takes place on 18 September 2014. Against the backdrop of the historic referendum on Scotland’s independence, four Scottish photographers are brought together to present their distinctive perspectives on a nation in the midst of intense debate about its future.
From Amsterdam to San Francisco, there are several inspirational exhibitions to explore this weekend. The presentation of Hiroshi Sugimoto’s work at Fraenkel Gallery, and Master of Modern Indian Painting at the V&A are both relatively spiritual shows, exploring ideas that surround the notion of God. The ICA, Boston, runs Give More Than You Take, which looks at human identity and emotions through mixed media. Daisuke Yokota’s exhibition at Foam, Amsterdam, presents an unknown world, a mixture of colour and experiments with photography development. We count down the top five shows to see over the next two days.
This June, the Royal Geographical Society displays a gorgeous selection of contemporary, creative, resonant and original works by international photographers and filmmakers as part of the Atkins CIWEM Environmental Photographer of the Year Award. Launched in 2007 by the Chartered Institution of Water and Environmental Management (CIWEM) and sponsored by Atkins, the exhibition is a leading showcase for the very best in environmental photography and film.
Synesthesia is a combination of interactive digital innovation and timeless fashion. Teaming up with Fred Perry for the Spring/Summer 2014 campaign, the website is an exploration of the phenomena of synesthesia, when one sensory response induces a sensation in another. The product of Olya Korsun, Anya Oderyakova and Poon Sap’s creative thinking, the team intend to both entertain and educate visitors to the website. We speak to Fashion Director, Anya Oderyakova, and Art Director, Olya Korsun, about the initiation of the project and how to match colours with sounds.
Shortlisted with Alberto García-Alix, Jochen Lempert and Lorna Simpson for the Deutsche Börse Photography Prize 2014 was Irish photographer Richard Mosse, who deservingly took home this year’s prize. Mosse was nominated for his exhibition The Enclave at the 55th Venice Biennale commissioned for the Irish Pavillion, featuring a multi-channel video installation created in collaboration with cinematographer Trevor Tweeten and composer Ben Frost. To be experienced in a dark immersive chamber with ambient surround-sounds and seen on several screens, The Enclave is charged with a raw vibrancy and futuristic yet frightening imagery as the 40-minute film captures the “real” in a surreal light.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
This spring and summer, the Aesthetica Art Prize exhibition presents eight shortlisted artists contributing outstanding works to contemporary art and will continue to run until 22 June showcasing artistic talent from around the world in a ground-breaking group show.
Art Basel brings together contemporary works in its expansive art fair with 300 participating galleries from across the globe. Running 19-22 June, the event includes the highest quality of art in a wide range of forms, such as painting, sculpture, drawing, installation, photography and video. Every year Art Basel attracts tens of thousands of visitors, entertaining everyone from art enthusiasts to collectors. We take a look at five of the galleries participating and the artists represented on their stands this year.