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Sensoria Festival 2013 , Sheffield

Sensoria features a unique, eclectic mix of film screenings, live music, exhibitions, installations and talks rolled out across four days across the city of Sheffield. Cinema highlights include Luc Besson’s The Big Blue, which is being screened on its 25th anniversary at a 1930′s outdoor pool in Hathersage. Whilst a car park will be re-imagined as a Drive In cinema, with coming of age classic American Graffiti on the big screen.

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A Journey Through London’s Subculture: 1980s to Now, ICA Off-Site

A Journey Through London’s Subculture: 1980s to Now at the Old Selfridges Hotel in London is part of the ICA’s Off-Site summer series, which started with Glastonbury Festival. The exhibition illustrates a perceived thread of creativity between the post-punk era and the present day – a legacy that underpins London’s incredible creative potential in the present. Taking over the first floor of the hotel, the project will bring together up to 60 influential figures from London’s creative scene from the 1980s to the present, spanning art, design, architecture, fashion, club culture and food. Participants include Tom Dixon, Zaha Hadid, Nicola Tyson, Bodymap, Sarah Lucas, Giles Deacon, Julie Verhoeven, Matthew Darbyshire, Louise Gray, SIBLING, David Waddington and Pablo Flack (Bistroteque), Bethan Laura Wood and Lucky PDF.

Frieze London 2013: Frieze Talks Announced

For this year’s Frieze London 2013, Frieze Talks will include: Jérôme Bel, Meredith Monk and Stephen Shore as part of the line up of international artists, filmmakers, curators and cultural commentators taking part in Frieze Talks 2013. Frieze Talks is a daily programme of lectures, conversations and panel debates that take place in the auditorium at Frieze London. The talks programme provides a forum to discuss some of the most pertinent issues in contemporary art and culture today. Presented by Frieze Foundation, Frieze Talks is programmed by the editors of frieze magazine, Jennifer Higgie, Jörg Heiser and Christy Lange.

Encounters Short Film and Animation Festival, Bristol

This September Encounters returns to Bristol to showcase the very best of short film and animation from across the globe. Running 17-22 September, the event captures a snapshot of the most interesting emerging talent on the big screen. Including fiction, documentary, experimental works and music video, the featured films represent creativity across all genres.

Laura Buckley: The Magic Know-How, Site Gallery

Plunging audiences into a landscape of video and light, The Magic Know-How is Laura Buckley’s 3D sensory sound and light collage. Exhibited at Site Gallery, Sheffield from 10 August until 21 September, the work is constructed via the projection of film and light through prism-shaped large scale semi-transparent forms. At the centre of the project is Buckley’s idea that “cold technology retrieves a personal memory.”

Club to Catwalk: London Fashion in the 1980s, V&A

The information available for the V&A’s latest exhibition, Club to Catwalk: London Fashion in the 1980s instantly inspires thoughts of the 2003 film Party Monster. Those who have seen it will remember that this riddling film is the true story of Michael Alig, a deluded Club Kid party organiser who moved to New York and entered a dark yet glamorous world. The 1980s was an incredibly creative decade in which the fashion of the club was slowly but surely carried onto the catwalk in the major capitals of the world. The many sub-cultures that formed and which still exist today, in some form or another, were founded on the basis of the nightlife in clubs. Curated by Claire Wilcox, V&A’s Head of Fashion, the exhibition covers the sub-cultures and their distinctive fashions, as well as the interpretations of now renowned fashion designers on the fashions of the club scene.

Interview with Steve Lake, Production at ECM Records

Selected Signs is a collection of six disks featuring the music that was selected for the ECM exhibition, ECM – A Cultural Archaeology, at Haus der Kunst in Munich at the start of the year. The exhibition surveyed the record company’s significant creative work in the worlds of music, graphic art and photography over the past 44 years. Released 1 July, the recordings on Selected Signs formed part of the exhibition where visitors could listen to the tracks on headphones. Aesthetica speaks to Steve Lake, Production and Licensing at ECM Records, about the exhibition and his personal enjoyment of the album.

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Aesthetica Short Film Festival at V&A Friday Late

The Aesthetica Short Film Festival (ASFF) is a celebration of independent film from across the world, and an outlet for championing and supporting short filmmaking. This Friday (26 July) a special programme of films from the 2012 festival will be screened at the V&A, London, for the Friday Late event. Themed around Peckham, the event this evening is part of a series of Friday Lates that will invite London’s creative communities to take over the Museum for an evening, presenting a range of music, art, design, film, architecture and more.

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Project Space: Word. Sound. Power. at Tate Modern, London

Tate Modern opens a new group exhibition in its Project Space about the relationship between language and power on 12 July. Word. Sound. Power. is the result of a curatorial collaboration between Tate Modern in London and Khoj International Artists’ Association in New Delhi, who will take the exhibition in early 2014. Opening in London on 12 July, the show brings together eight emerging and established international artists, including new and specially commissioned works.

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Review of PUNK: Chaos to Couture at the Costume Institute at the MetropolitanMuseum of Art, New York

Punk was an attitude and an aesthetic, a movement which provoked anti-establishment with exhibitionist flair. According to John Lydon (Johnny Rotten of the Sex Pistols), “Punk was like nothing anybody had seen before, like nothing. Punk was fearless. Utterly fearless.” With this fearlessness came its unabashed fashions, its intended chaos of cut-offs and chains which has been captured and appropriated by high-end designers into relics of couture. PUNK: Chaos to Couture, at the Costume Institute at the Metropolitan Museum of Art, nods to the birthplaces of punk before progressing through a series of four Do-it-yourself themes of punk fashion.  

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Blondiefest: One Way or Another at ICA, London

Curated by Tom Wilcox, Associate Curator at ICA and Hanna Hanra, Editor in Chief of BEAT Magazine, Blondiefest: One Way or Another opens at ICA on 5 July and surveys and celebrates the cultural legacy of Blondie and their iconic frontwoman Debbie Harry. As one of the greatest bands to ever come out of New York, Debbie Harry and the band define their epoch – their records and image are synonymous with their time and place. Their beginnings were in New York’s mid-’70s punk and new-wave scenes, but by the late ’70s and early ’80s their eclectic musical style, compelling rhythms and seductive pop melodies had propelled them from the fringes to the mainstream.

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Review of Sixto Rodriguez at the Hammersmith Apollo, London

The 66th British Academy Film Awards ceremony on February 10, 2013 announced Searching for Sugar Man as the Best Documentary of the Year. It is a touching and highly-emotional documentary directed by Malik Bendjelloul about the search for the man famed for his song Sugar Man. Sixto Rodriguez, now 70, is the personification of a kind, hard-working, politically aware, brilliant song writer. He only produced two albums (Cold Fact (1970) and Coming from Reality (1971)) but his personality conquered the hearts of South Africans during the socially and politically difficult apartheid years, Cold Fact in particular. The album became a political and social testimony of the people; it vocalised their struggles and burdens in a way no other album of the time did.