Ute Lemper is a world-renowned and charismatic German chanteuse who never seems to age (physically or spiritually). As part of the London Literature Festival Ute Lemper Sings Pablo Neruda organised by the Southbank Centre was a fantastic concert not only dedicated to the memory of Pablo Neruda, one of the masters of Chilean poetry, but also to the memory of everything that music and poetry seems to have lost in the transition to the fast paced, ruthless, popular entertainment industry.
At Aesthetica we like to keep an eye on emerging artists, and one of the best ways to do that is to take note of the numerous degree shows open this summer. Picking our ten favourites, we count down the best art presentations this June. We also take a moment to interview a few successful graduates, to investigate the value of an art degree and the benefits of their chosen Universities. Running from Glasgow to Plymouth, we give you a snippet into each show. Keep an eye on the blog for interviews with graduates in the next few weeks.
We are living in interesting times. The past five years have seen a dramatic shift in our attitudes and behaviour, however I have recently noticed an undercurrent of optimism. I am excited by this, and it can be seen in new works by a range of artists. I pose a question: is the age of doom and gloom over? I think so.
Chapel Club, a Synthpop band from London has just released their second album Good Together and begin their UK tour on 3 June at The Temple in Birmingham. Comprising of Lewis Bowman, Rich Mitchell, Liam Arklie, Michael Hibbert and Alex Parry, they combine electronically produced notes with echoing vocals, which resonates to create mesmerising sounds with intimate lyrics. Aesthetica spoke to Chapel Club to find out more about their influences and what we can expect to hear from them in the future.
Opening on the 26 May, the 53rd Krakow Film Festival includes the screenings of documentaries, short films and animations from all over the world. With an outstanding programme of events, the festival will run until 2 of June. This year, in addition to the previously established sections, there will be DocFilmMusic, a competition open to music documentaries. With ten qualifying films, the director of the best film will win a Grand Prix award – The Golden Heynal. The usual categories are the international documentary competition, the international competition of short films and the national competition.
This weekend Linder Sterling presented her UK premiere of The Ultimate Form, a physical collage that combined dance, costume, music and her provocative prints. Set in the gardens of The Hepworth Gallery, seven dancers from the Northern Ballet wound their way across the stage, demonstrating strength and poise in time to Stuart McCallum’s impressive score. Referred to as a “living collage”, Sterling’s works literally moved as they adorned Richard Nicoll’s carefully crafted costumes. Already presenting The Ultimate Form at her retrospective in Paris at the Musee d’Art Moderne de la Ville de Paris earlier this year, the performance will next appear at the Tate St Ives early in 2014.
The 2013 edition of Britain’s best-loved opera festival, Glyndebourne, opens in style on 18 May with a new production of Richard Strauss’ Ariadne auf Naxos. Directed by Katharina Thoma, and under the baton of Vladimir Jurowski in his final season as Glyndebourne’s Music Director, the production also sees many operatic talents making their Glyndebourne debuts. Mezzo soprano Kate Lindsey, who takes on the role of the Composer, is one such artist, and Aesthetica speaks to her about this exciting new experience and what audiences can expect.
Since 1988, Tate Liverpool has been the home of some of the world’s most important art works and attracted 15 million visitors. Opening its doors on 24 May, 1988, the gallery has become the most visited venue for modern and contemporary art outside of London. The gallery has already received several birthday wishes in the form of postcards, letters, emails and artworks, from Wayne Hemingway, Anthony McCall, Yoko Ono, Ed Ruscha, Bob and Roberta Smith, Zarina Bhimji and Colin Self. From 17 May until 2 June, Tate Liverpool will be celebrating in style with a specially curated exhibition entitled Tate Liverpool is 25.
When an important, popular figure dies, fans seem to need more than their legacy – more than their work – to remember them by, to cling to them through. Physical mementoes, objects – things which that specific person touched, used, loved – are obsessed over; particles of skin and saliva on a napkin George Harrison used take on strange importance. Voyeurism and celebrity obsession have grown to a point now where people are paying up to $15,000 for a pair of stained underpants worn by Elvis Presley, a rumoured million for a pair of John Lennon’s glasses, and, perhaps most bizarrely, $45,000 for a set of three X-rays of Marilyn Monroe’s chest. However, this strange obsession we seem to have with the physical remnants left in the wake of our popular icons can be traced back a surprisingly long way. Darwin’s beard, for example, Abraham Lincoln’s hair and even Galileo’s finger have survived decomposition and remain, today, preserved behind glass for us all to gawk at.
Sharjah Art Foundation (SAF) continues an extensive programme of music, performances, and film screenings as part of Sharjah Biennial 11 (SB11), Re:emerge – Towards a New Cultural Cartography, which opened 13 March and will continue through 13 May. For SB11, Curator Yuko Hasegawa proposes a new cultural cartography that reconsiders the relationships between the Arab world, Asia, the Far East, through North Africa to Latin America.
Aesthetica Issue 52 is now out in the shops. Inside this issue, we start with Amalia Pica’s latest exhibition, which opens in April at MCA Chicago and is the artist’s first major solo museum show in the USA, including 15 of her most significant works. We also look at the Julio Le Parc retrospective on now at the Palais de Tokyo, Paris, presenting a vast survey of the artist’s work from the 1950s to the present day. European Chronicles opens this May as part of Diffusion in Cardiff, which is Wales’ first international photography festival. NYC 1993: Experimental Jet Set, Trash and No Star is the latest exhibition to open at the New Museum in New York City, capturing a specific moment at the intersection of art, pop culture and politics.
With four days off and weather that doesn’t compliment outdoor activities or picnics, art exhibitions are an obvious solution for Bank Holiday boredom. However, wherever you are in the world, the weekend is always a great time to leisurely explore local art exhibitions. From Amsterdam to New York we uncover the best in contemporary art in both Public and Private galleries across a variety of practices. Whether it be fandom at David Bowie Is… or destruction in Sara Cwynar’s Everything In the Studio (Destroyed) these shows provoke a range of responses.