Artangel Open is inviting artists working in all media across the UK to submit bold, site-specific proposals that will transform and enrich the UK’s cultural landscape. Championing innovation and creativity is at the heart of this project; a £1 million initiative running in alliance with BBC Radio 4. Deadline for submissions is 28 February 2014.
The new single from The Correspondents, Fear and Delight, is out today via From Our Own. The release proceeds next year’s March launch of their debut album, Puppet Loosely Strung. The duo have become renowned for their live shows and have been included in The Telegraph’s “Top Ten Glastonbury Highlights” for the past two years. Producing alternative pop-fueled catchy anthems, Fear and Delight is a continuation of their unique sound. Take a look behind the scenes of their latest music video with exclusive footage.
The second day of Art Basel Miami Beach is upon us and there are still hundreds of galleries to check out. Participants from Europe, North America, Latin America, Asia, and Africa make up the impressive list of exhibitors at this year’s event. The different galleries present historical work from the masters of Modern and contemporary art, as well as newly created pieces by emerging stars. If you are unsure of what to see today, with such a vast selection on display, check out some of our recommended stands below.
Issue 56 December / January of Aesthetica is in shops now! In this edition we consider the importance of reflecting upon the things you have done, as well as those you didn’t do and will go on to do in the future. We start with Hello, my name is Paul Smith, which is on now at the Design Museum, London, and looks at the art, fashion and creative ingenuity of one of Britain’s leading designers. We also examine The Desire for Freedom. Art in Europe since 1945 at MOCAK in Krakow, Poland. At MoMA in New York, European art is also being showcased: Isa Genzken’s installations and sculptures are the subject of a massive retrospective, which surveys the layers of her work.
Interview with Paul Green, Director of the Halcyon Gallery, on Bob Dylan’s new sculpture exhibition, Mood Swings.
Bob Dylan, known more so for his poetry, music and writing, began introducing his artwork to the world with an exhibition of his Drawn Blank Series in 2007 at the Kunstsammlungen in Chemnitz, Germany. The exhibition included over 200 watercolours and gouache paintings made from original drawings. Within the last six years he has exhibited his drawings and paintings time and time again in some of the world’s most renowned museums and galleries such as the National Gallery of Denmark, the Gagosian Gallery in New York, Milan’s Palazzo Reale and last summer at the National Portrait Gallery in London. Now, Dylan exhibits his most recent sculptures at the Halcyon Gallery in London. The seven gates, glass-top tables and wall hangings made out of iron and vintage objects collected by Dylan resonates the death of industrial America. With this immaculate exhibition it is as if Dylan is returning back to his childhood town of Hibbing, Minnesota; the motto of which is “We’re Ore and More”. Since Dylan has decided not to give any interviews in relation to Mood Swings in order to let the work speak for itself, we had a interview with Paul Green, the Director of the Halcyon Gallery.
AV Festival 14: EXTRACTION takes place 1-31 March 2014 at venues across the North East of England, including mima (Middlesbrough Institute of Modern Art), Sage Gateshead, BALTIC Centre for Contemporary Art, Tyneside Cinema, NGCA (Northern Gallery for Contemporary Art), Star and Shadow Cinema, Laing Art Gallery and other spaces to be announced. A biennial event, the Festival is thematically curated to engage audiences with current ideas across contemporary art, film, music and wider society. This year’s event features new commissions, UK premieres, solo exhibitions, group shows, concerts and film screenings by international and nationally renowned artists.
All This Can Happen, a 50-minute film by David Hinton and choreographer Siobhan Davies, opens with images of men who cannot walk. One lies immobile in a hospital bed, his head trembling, eyes vacant with torment. Another, also institutionalised, tries to walk but fails. He falls, scrambles and falls again, his whole body stiff with malfunction.
Issue 55 of Aesthetica is in shops now. This issue concentrates on redefinitions as a way of constructing new meaning. The artists featured expand across decades of contemporary practice, and the works included test the resilience of the artist. Inside we start with a look at Elmgreen & Dragset’s latest installation Tomorrow, which takes over the former Textile Galleries at the V&A, London. The artists have created an apartment belonging to a fictional, elderly and disillusioned architect to comment on the loneliness and alienation ever-present in today’s society.
The Shoreditch Fashion Show returns again this autumn. Running on 12 October, the second show for 2013 follows the success of the first in April. Hosted by OffBeat, the event includes a dynamic guest programme showcasing the best in emerging UK fashion design, art and music. The audience will get an exclusive preview of designs from young designers from the world’s top fashion colleges, notably the London College of Fashion and Central St.Martins. Aesthetica speaks to one of the music acts, Rufio Summers, about his participation in the event and his dream collaborations.
RECON is a series of pioneering music, art and film events culminating 22 – 29 September across Leeds and Bradford. Bringing together innovators, experimenters, risk-takers, mavericks and outsiders working creatively across the various genres, the event is a celebration of the expansion of boundaries in the artistic world. Including multiple sites and venues, activities will be held at The Brudenell Social Club, Howard Assembly Rooms, Hyde Park Picture House, The New Bradford Playhouse, Delius Arts and Cultural Centre, Wharf Chambers and also in the public domain.
The co-founder and bassist of Sonic Youth, Kim Gordon, returns to the Museum of Contemporary Art Chicago (MCA) to perform as Body/Head, a project with free-noise guitarist Bill Nace. The duo began after Sonic Youth broke up in 2011 as an instrumental side project and now features scripted improvisation and songs with vocals by Gordon. Using a slow-motion film projection as their backdrop, the pair creates a dream-like narrative of guitar instrumentations, feedback, and vocals. The MCA Stage concert marks the Chicago debut of Body/Head and is part of a national tour to support the release of the band’s double album, Coming Apart, which came out 10 September.
Chris Watson is one of the UK’s pre-eminent sound recordists. He has worked all over the globe and won a BAFTA in 2012 for his soundtrack on David Attenborough’s Frozen Planet series. This September, Watson’s exhibition Inside the Circle of Fire will transform Millenium Gallery, Sheffield, turning it into an immersive sound-map of the city, where the recordist grew up. Watson speaks to Aesthetica about his journey through Sheffield and his approach to sound.