The notion of an entire wing of the Guggenheim Bilbao being dedicated to Film & Video phased me at first. Though increasing numbers of modern art installations seem to feature moving imagery, never had I encountered a space dedicated solely to the form. Don’t get me wrong: I consider myself a card-carrying cinephile. However, I am aware that, as the notion of ”art” becomes more porous, its boundaries, if it is to maintain its integrity, require policing, a point restated forcefully by Grayson Perry in his Reith Lectures. Surely this is a problem as much for cinematic as for fine art: where does film stop being cinema and start being “Film & Video”?
In the 21 years since Meltdown’s inception, the festival has played host to a conveyor belt of counterculture greats, including David Bowie, Patti Smith, Jarvis Cocker and the late John Peel. This year James Lavelle took the helm, bringing his genre-bending brand of subversion to the director’s chair. With a body of work spanning two decades – and an illustrious address book to match – the trip-hop pioneer and all-round creative powerhouse is known for pairing unlikely bedfellows and taking big risks. This was evident at the Southbank’s Purcell Room, where Olga Bell and Tom Vek united to perform collaborations from joint venture Nothankyou alongside their own solo material.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
German artist Sybille Neumeyer stunned judges with her eloquent piece, Song for the Last Queen (2013) in the Aesthetica Art Prize, a beautiful light installation comprised of 7,614 bees collected from a naturally collapsed beehive framed within vials of natural honey. Captivating at first glance, the work also invites audiences to reflect upon global issues and imbalances in our ecosystem; at once appreciating the pure and natural beauty of raw materials while confronting the growing gap between consumption and food production, as bees face an ever-rising risk of decline. We speak to Neumeyer about her practice and what inspired her to enter the Aesthetica Art Prize.
Synesthesia is a combination of interactive digital innovation and timeless fashion. Teaming up with Fred Perry for the Spring/Summer 2014 campaign, the website is an exploration of the phenomena of synesthesia, when one sensory response induces a sensation in another. The product of Olya Korsun, Anya Oderyakova and Poon Sap’s creative thinking, the team intend to both entertain and educate visitors to the website. We speak to Fashion Director, Anya Oderyakova, and Art Director, Olya Korsun, about the initiation of the project and how to match colours with sounds.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
This spring and summer, the Aesthetica Art Prize exhibition presents eight shortlisted artists contributing outstanding works to contemporary art and will continue to run until 22 June showcasing artistic talent from around the world in a ground-breaking group show.
There are those that argue that talent is not innate. Rather, it is the ironclad will to keep on practicing in the face of impossibilities. Then there are others who garner talent by being born talent adjacent. Tunday Akintan is one such musician who is lucky in both ways.
Aesthetica is inviting visitors to cast their vote for the Aesthetica Art Prize People’s Choice Award. The exhibition, housed at York St Mary’s – York Art Gallery’s contemporary art space, runs until 22 June and presents the work of eight shortlisted artists. Following on from the official announcement of the winners of the Main Prize and Student Prize Awards, Sybille Neumeyer and Harriet Lewars respectively, Aesthetica is giving audiences the opportunity to choose their winner. Additionally, voters are entered into the Free Prize Draw with a chance of winning an exclusive evening in York, including a meal for two at Le Cochon Aveugle, cinema tickets for Reel and champagne cocktails at 1331.
Tallulah Rendall is not a woman for half-measures. Having shed her six-piece band, the prolific songstress stands feet astride, juggling acrobatic vocals, loop pedals and guitars in a tumult of folk fury that defies her “female singer-songwriter” label to stride into unchartered terrain. Over two years in the making, Rendall’s ambitious third album The Banshee And The Moon seeks to open a dialogue between art, poetry and music. Her expectant audience huddles in the Rebecca Hossack Gallery, lined with the wistful black-and-white portraits Rendall commissioned to accompany each track, and in the corner lies a stack of hardback books brimming with the project’s poetry and artwork.
Throughout the summer and autumn, the Serpentine Galleries will once again present Park Nights, an annual series of live art events, incorporating poetry, music, film, literature and performance. It takes place on selected Friday evenings in the Serpentine Pavilion 2014, which has been designed by architect Smiljan Radic.
Rapidly becoming not only a central part of the Edinburgh Festival’s programme but a vital creative hub for the city’s all-year-round cultural scene, Summerhall unveils its strongest line-up to date as international audiences prepare to descend on the Scottish capital for the 2014 Festival.