Taking its title from the Gaelic word for craving and desire, Miann is Fleur Darkin’s first full-length work as artistic director at Scottish Dance Theatre. A powerful piece about grief and loss, the performance will be appear at Southbank Centre, London, 9 April, after which it will travel to Tramway, Glasgow, in May. Hugely popular at the Edinburgh Festival Fringe’s Made in Scotland showcase in 2014, Miann highlights Darkin’s tactile choreography.
Creating artworks and performances that traverse genres and mediums, Bruce Nauman defies classification and stands as one of the most influential contemporary artists working today. A selection of multimedia installations, audio-visual pieces, and sculptures are on view at the Fondation Cartier – chosen as together they represent the artist’s multifaceted and ever-evolving practice.
The future can only be imagined by looking back towards the past. In Aesthetica Issue 64 we look for a frame of reference to start from, to unpick, to tease out and then create something entirely new. For example, there would be no digital without analogue and certainly no progress without retrospection. We truly believe that you have to experiment and gather a wide range of influences in order to innovate.
Self taught Swedish artist Anna Edholm works with layers of acrylic paint on canvas. With her abstract designs aims to direct the viewer to use their own imagination and to find patterns and meanings of their own among colours and forms. She experiments with multiple materials and tools to give her work an engaging and striking appearance with both the use of both thin fluid colours as well as thick layers to provide contrast and texture.
Today marks the exhibition preview of the Aesthetica Art Prize 2015, with the show opening to the public from 10am tomorrow. Taking place in the historic setting of York St Mary’s, the exhibition champions excellence in contemporary art from around the world. The eight artists selected for exhibition hail from Japan, Germany, Australia and the UK, and were chosen from over 3,500 submissions from 60 countries worldwide.
Christian Fennesz, Austrian electronic producer and musician, teamed up with Lillevan, German video artist and performer to celebrate the work of fellow Austrian Gustav Mahler. This weekend the duo transformed Mahler’s music with unique electronic compositions at the Howard Assembly Room, Opera North, Leeds. The beautiful and evocative piece used Mahler’s symphonies as its starting point, giving it new life as contemporary performance. Fennesz speaks to Aesthetica about his work with Lillevan and the process of producing this arresting new piece of music.
Exhibit Be is an artistic endeavour of epic proportions. Helmed by artist and film-maker Brandan “BMike” Odums, with logistical support from freelance editor and web-content creator Lydia Nichols and arts and museum curator Lana Meyon, it is an ode to how art disturbs the waters of our contentment without cornering us with guilt. Located in Algiers, a quiet suburb of New Orleans across the Mississippi river from the downtown core, Exhibit Be, a collaboration of 30 plus artists, transformed the abandoned Woodlands Apartment Complex, a five building, five-story apartment complex, into a giant street art installation.
This March Dovecot Studios opens a new exhibition of work from Norwegian visual artist and musician Magne Furuholmen. After visiting Dovecot Tapestry Studio in 2013, Furuholmen set about producing a a new unique woodcut print design for a tapestry entitled Glass Onion. The exhibition, Peeling a Glass Onion, also features music, film, printmaking and large-scale ceramics. We speak to Furuholmen about his move into tapestry and how Dovecot inspired the new work.
Argentine author and theater director, Mariano Pensotti, is best known for creating theatre that explores the tension between fiction and reality. The director is heralded as one of the most important experimental directors and writers in Argentina, who creates theatre written for the stage as well as site-specific performances for public places.
Acclaimed artist Andy Holden has teamed up with Roger Illingworth, Johnny Parry, John Blamey and James MacDowell to form The Grubby Mitts, an experimental band breaking the boundaries between art and music. Known for utilising everything from homemade instruments to repeating lyrics, The Grubby Mitts spent their most recent tour performing in art galleries rather than typical venues. The band’s new album, What The World Needs Now Is, is due out 9 March on Lost Toys Records. Aesthetica speaks to Holden about his latest release and his decision to move into the world of music.
Issue 63 of Aesthetica hits shop shelves 1 February. In the February / March edition we explore innovation through experimentation with the new. Moving outside of comfort zones can be invigorating. It’s in these moments that we have the opportunity to embrace fresh ideas and apply them to everyday life. Drawing upon a range of influences can create something entirely original and interdisciplinary. Each artist featured in this issue follows that ideology. Many of the practitioners are people that have backgrounds in other areas but have moved between art forms and disciplines cross-pollinating their output along the way.
The Art Fund has teamed up with one of the most respected names in the travel industry, cazenove+loyd, to offer audiences insightful and luxurious art tours to international destinations. The Inspired Journeys programme unites industry experts with art lovers in various locations across the globe, offering them a behind-the-scenes look at revered artistic locations. Some of the trips in 2015 will see Princess Xenia Hohenlohe present the hidden treasures of Bavaria; Director of Wilfredo Lam Centre of Contemporary Art, Jorge Fernandez, uncover the cultural heritage of Cuba and artist Olivia Dalrymple explore the creative history of India. We speak to Co-founder and director at cazenove+loyd, Christopher Wilmot-Sitwell, about the initial idea behind the tours and his favourite destinations.
In this retrospective exhibition of American artist Jeff Koons, the Pompidou Centre has provided viewers with an illuminating chronology on the evolution of one of contemporary art’s most controversial figures. Koons is best known for his reproductions of ordinary shopping-mall items – like blow-up dolls and balloon animals – into metallic and glossy stainless steel objects. His work has fiercely divided many in the art world who argue that Koons offers a wonderfully ironic comment on the normative aesthetic value of art, while others condemn the pieces as kitschy self-merchandising for the Koons brand.
For its 20th anniversary, FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business. This year, the pioneering digital culture Festival will feature new commissions, installations, conference speakers, film screenings and live events. In Manchester city, The Royal Northern College of Music (RNCM) will be the hub for the art, live and film programmes, while FutureEverything Conference returns to the neo-gothic Manchester Town Hall for inspiring talks from internationally renowned speakers and hands-on workshops.
Subscriptions to Aesthetica are now available from as little as £12 in the January Sale, providing readers with a chance to save 50% on subscriptions in the new year and enjoy 12 months of the latest news in contemporary art and culture, direct to their home.
Manual Cinema‘s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture and our relationship with death and dying. The piece weaves together three intersecting narratives: an elderly film projectionist finding romance with a mysterious stranger; a bike messenger exploring the afterlife using her iPhone; and a seven-year-old discovering her own mortality.
For the 12th year, London Short Film Festival returns with an outstanding programme of events and short films. Running 9 – 18 January at ICA, Hackney Picturehouse and Oval Space, the festival aims to be as confrontational as ever and prove that the UK is truly a hotbed of film creativity. This year, LSFF received an 1,500 submissions in total, including international submissions for the first time, as such the event is sure to showcase the innovation of short filmmakers today.
Moving sites in spring 2015, Manchester-based cross art form organisation, Cornerhouse, closes its current space with nine international artists, filmmakers and musicians celebrating the iconic venue: Rosa Barba, Niklas Goldbach, Andy Graydon, Lawrence Abu Hamdan, Gabriel Lester, Naomi Kashiwagi, Shannon Plumb, Humberto Vélez and Jan St Werner.
There are few musicians who can parallel the aesthetic and imaginative influence of David Bowie – master of storytelling, fantasy and re-invention – over the past five decades. Ranging from androgynous alien Ziggy Stardust to the Japanese motifs of the schizophrenic Aladdin Sane, from the monochromatic classicism of the Thin White Duke to the dystopian metropolis of the Diamond Dogs, the characters and constructions of Bowie’s imagination have transcended the traditional boundaries of rock and pop music.
For those who are passionate about contemporary art and culture, Aesthetica Magazine is the ultimate guide for keeping up-to-date with the latest news from the international art scene. Order a Gift Subscription for someone special this Christmas and save 20% off newsstand prices while also benefiting from a free gift wrapping service and a chance to write a personal message.
The December/ January issue of Aesthetica is now available to purchase online and in stores internationally. In Issue 62, Aesthetica focuses on the idea of the unconventional. It’s a celebration of practitioners who are experimenting in their field by working in interdisciplinary ways and introducing concepts from other areas of art and design into their work.
Issue 62 of Aesthetica is out in shops now. One of the most thrilling discoveries is someone who is breaking new ground and embodying the word “innovation.” It’s important to look at both established and emerging artists that are the driving force behind this type of progress. At Aesthetica, we are interested in people who are experimenting while stepping outside of the everyday. We want to engage with works that challenge us and change perspective.
Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October. Curator, Jo-ey Tang, traveled across China and Southeast Asia to select five Chinese artists to be presented alongside three French artists including the renowned Nadar. Tang speaks to Aesthetica about the outstanding creatives he found and the origins of the project.
The Other Art Fair places the spotlight on emerging artists and connects art lovers of all tastes and experience, directly with 130 of the most talented and unrepresented artists. Running 16-19 October at the Old Truman Brewery on Brick Lane, the fair presents thousands of pieces of art, starting from just £50. In addition to the various stands on display, the event is an art experience in its own right, featuring an immersive theatre with Non Zero One, art and live music performances, kids create area, Crate Brewery Bar, Soho House’s Dirty Burger pop up and much more.
Aesthetica Issue 61 is now available to purchase online and in stores internationally. The new edition considers progress and change. There are a few questions around this including how much time needs to pass before something needs to change, or is it simply the case that progress is continuous? The key element is to recognise developments, keeping your eyes and ears open. This is particularly important in the art world because when you start tracking artists and noticing trends, this is when things start to get exciting, especially when those trends are just under the radar.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.
This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.
The Aesthetica Short Film Festival (ASFF) is delighted to announce it is now a BAFTA recognised festival, an achievement that is unprecedented for a festival in its fourth year. This latest accolade stands testament to the creativity and bold programming of ASFF, which has now firmly established itself as a dynamic player on the film festival circuit.
There is still time today to enter Aesthetica’s creative opportunities for artists and writers. The Aesthetica Art Prize, now in its eighth year, celebrates excellence in contemporary art from around the world. Artists at any stage in their career working in all media are invited to submit works that demonstrate innovation, creativity and technical skill. The Aesthetica Creative Writing Award supports and publishes literary talent on an international scale, selecting finalists for publication in the Aesthetica Creative Writing Annual. We present the prizes available for both awards, which make them essential events to take part in this year.
There is still time to enter the Aesthetica Art Prize, which welcomes submissions from artists at all levels working across media from photography to painting, installation to sculpture and performance to artists’ film. A celebration of excellence in contemporary art, the Aesthetica Art Prize supports and nurtures rising talent from across the world and prizes include group exhibition, editorial coverage in Aesthetica Magazine and £5,000 courtesy of Hiscox.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.
The Natural History Museum of London is a space of gargantuan proportions. The main entrance leads to a cavernous hall that comfortably houses the skeletal frame of a Diplodocus. Several feet away, on the landing of a pronged staircase, sits an oversized, marble statue of Charles Darwin. This is the scene that served as the backdrop to my initial encounter with vocalist, bassist, producer and actress Shingai Shoniwa of the Noisettes fame. She descended the staircase to deliver a bombastic show for a private, formal event that made the massive fossil and the historical giant she was sandwiched in between look like mere toys in her presence.
Over 150 leading authors and artists from more than 30 countries come together for South-East Asia’s most exciting literary event, Ubud Writers & Readers Festival (UWRF). Sir VS Naipaul, Amitav Ghosh and Eimear McBride are some of the names to be taking part in this celebration of global issues, big ideas and extraordinary stories.
Johny Dar approaches his artistic practice from an innovative angle, painting directly onto his models’ bodies. Dedicated to pushing the boundaries of what is perceived as art, he works across fashion, bodypainting, books, art installations, multimedia and events. His project Dare blends clothing and paint, placing his models in a catwalk show that appeared at Berlin Fashion Week earlier this year. We speak to Dar about his interest in collaborative projects and his audience.
The latest edition of the Aesthetica Art Prize featured outstanding artists working in video, installation and performance. These practitioners are breaking new ground within their given fields, and we are delighted to showcase their selected works, while each artist brings us up to date with their progress since being longlisted for the Aesthetica Art Prize.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.
Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for emerging artists wanting to make a significant impact upon the art world today. With prizes ranging from up to £5,000 to editorial coverage in Aesthetica Magazine, which has an impressive readership of 168,000 worldwide, this is a unique opportunity to generate greater exposure. Read Cass Art’s recommendations here.
The Piano Brothers are not brothers by blood but by divine, energetic and rich music that is accessible to everyone. Bound together by the love of all-encompassing music, Dominic Anthony Ferris and Elwin Hendrijanto began performing together in 2009 whilst studying at the Royal College of Music. In the last five years they have worked hard to become one of the most sensational piano duos in London’s notoriously difficult to rise and shine music scene through their innovative outlook on how music, life and people should be brought together under one roof.
The notion of an entire wing of the Guggenheim Bilbao being dedicated to Film & Video phased me at first. Though increasing numbers of modern art installations seem to feature moving imagery, never had I encountered a space dedicated solely to the form. Don’t get me wrong: I consider myself a card-carrying cinephile. However, I am aware that, as the notion of ”art” becomes more porous, its boundaries, if it is to maintain its integrity, require policing, a point restated forcefully by Grayson Perry in his Reith Lectures. Surely this is a problem as much for cinematic as for fine art: where does film stop being cinema and start being “Film & Video”?
In the 21 years since Meltdown’s inception, the festival has played host to a conveyor belt of counterculture greats, including David Bowie, Patti Smith, Jarvis Cocker and the late John Peel. This year James Lavelle took the helm, bringing his genre-bending brand of subversion to the director’s chair. With a body of work spanning two decades – and an illustrious address book to match – the trip-hop pioneer and all-round creative powerhouse is known for pairing unlikely bedfellows and taking big risks. This was evident at the Southbank’s Purcell Room, where Olga Bell and Tom Vek united to perform collaborations from joint venture Nothankyou alongside their own solo material.