For its 20th anniversary, FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business. This year, the pioneering digital culture Festival will feature new commissions, installations, conference speakers, film screenings and live events. In Manchester city, The Royal Northern College of Music (RNCM) will be the hub for the art, live and film programmes, while FutureEverything Conference returns to the neo-gothic Manchester Town Hall for inspiring talks from internationally renowned speakers and hands-on workshops.
During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition. India’s first and currently only biennale of contemporary art, the first edition saw a total of 400,000 visitors (just 60,000 less than the Venice Biennale) over its three month run, giving this hotly awaited second edition a lot to aspire to. Unveiling a multi-venue exhibition of 100 works by 94 artists from 30 countries, not including the numerous collateral projects initiated by independents, KMB’s second edition began with a very promising start.
In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today, considering everything from the Cold War and post-Thatcherite society, feminism and protest movements, to ‘mad cow disease’ and celebrity culture. Seven UK based artists – John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth, and Jane and Louise Wilson – will curate sections of the exhibition, looking at particular periods dating back to 1945.
The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work that capture landscapes that have been the scene of atrocities; their their beauty and serenity sitting in juxtaposition with these previous horrors.
Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of vulgar kitsch and womanhood. Invited to take over the Fox Reading Room at the ICA, the fashion designer has combined film, illustration and mixed media sculpture to create a surreal installation that is both disconcerting yet provocative.
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This group show curated by Peter J. Amdam brings together artists who accentuate how art operates in an era of new media, and in a world which is both human and non-human at the same time. The exhibition looks at the way in which the internet stores, directs and administers our memories, dreams, affections, desires and beliefs; how it organises the same matter that art has attempted to explore and catalogue for centuries.
Manual Cinema‘s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture and our relationship with death and dying. The piece weaves together three intersecting narratives: an elderly film projectionist finding romance with a mysterious stranger; a bike messenger exploring the afterlife using her iPhone; and a seven-year-old discovering her own mortality.
This new work by award-winning New York based artist Penelope Umbrico continues her exploration into the consumption of photographs online, particularly focusing on the persistence of sunset imagery.
The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly. This winter EYE highlights one of the most interesting periods in film history, through the collection of one of the biggest Dutch names in the field of theatrical film screening and distribution, Jean Desmet (1875-1956).
For their first major show in London, Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura installations, takes viewers on an imaginative journey into science, philosophy and religion with each film examining a particular consideration of material, animal or human behaviour that probes at the nature of truth and perception.
For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later with the 30 minute film Unfinished. Calle used the video camera recordings of an American bank, which depicted clients going about their business, first as a series of stills and then as material to interview bank workers.
Hauser & Wirth’s north gallery on Savile Row is a space that has been transformed in many possible ways, but this time the micro environment created for Pipilotti Rist’s show emerged as an unexpected -nevertheless pleasant- surprise. The entire gallery has been blacked out, carpeted and split into two sectors. At the reception area, where three smaller scale “introductory” video installations puts the audience in the mood for what is ahead, visitors are prompted to take their shoes off and proceed to the main section through a heavy denim curtain. There, white cosy duvets are scattered around the floor and everyone is free to use them as they please and relax while watching the video installation projected on the two large walls of the gallery.
For the 12th year, London Short Film Festival returns with an outstanding programme of events and short films. Running 9 – 18 January at ICA, Hackney Picturehouse and Oval Space, the festival aims to be as confrontational as ever and prove that the UK is truly a hotbed of film creativity. This year, LSFF received an 1,500 submissions in total, including international submissions for the first time, as such the event is sure to showcase the innovation of short filmmakers today.
Moving sites in spring 2015, Manchester-based cross art form organisation, Cornerhouse, closes its current space with nine international artists, filmmakers and musicians celebrating the iconic venue: Rosa Barba, Niklas Goldbach, Andy Graydon, Lawrence Abu Hamdan, Gabriel Lester, Naomi Kashiwagi, Shannon Plumb, Humberto Vélez and Jan St Werner.
Film London has announced Ursula Mayer as winner of the 2014 Jarman Award. The Austrian-born filmmaker was selected from a shortlist of 10 visionary and boundary-crossing visual artists working in the UK. An annual celebration of experimentation, imagination and inspiration, the award recognises artist filmmakers whose creative practice defies conventional classification or definition. As winner of the seventh Jarman Award, Mayer joins the ranks of previous prize recipients Luke Fowler, Lindsay Seers, Emily Wardill, Anya Kirschner & David Panos, James Richards and John Smith.
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Frederick Wiseman’s National Gallery takes the audience behind the scenes of a London institution and into the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century. National Gallery is the portrait of a place, its way of working and relations with the world, its staff and public, and its paintings. In a perpetual and dizzying game of mirrors, film watches painting watches film.
Derek Jarman is one of Britain’s most important and ground-breaking artists of the late 20th century. The Jarman Award is inspired by his practice and celebrates some of the most innovative filmmaking in the UK today. The 10 shortlisted practitioners all demonstrate a spirit of experimentation, imagination and inspiration. This year the films have toured across the country and arrive at Whitechapel Gallery, London, this weekend for the announcement of the winner on Monday 8 December. The winner will not only receive a £10,000 cash prize, they will also win a broadcast commission — to produce a series of film artworks for Channel 4. Find out more about each of the shortlisted artists.
The December/ January issue of Aesthetica is now available to purchase online and in stores internationally. In Issue 62, Aesthetica focuses on the idea of the unconventional. It’s a celebration of practitioners who are experimenting in their field by working in interdisciplinary ways and introducing concepts from other areas of art and design into their work.
Issue 62 of Aesthetica is out in shops now. One of the most thrilling discoveries is someone who is breaking new ground and embodying the word “innovation.” It’s important to look at both established and emerging artists that are the driving force behind this type of progress. At Aesthetica, we are interested in people who are experimenting while stepping outside of the everyday. We want to engage with works that challenge us and change perspective.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life. The resulting pieces create an immersive and highly abstract environment. Buckley is shortlisted for the Jarman Award, an annual prize inspired by one of Britain’s most innovative, esteemed and controversial artists of the late 20th century, Derek Jarman. Aesthetica speaks to Buckley about her admiration for Derek Jarman and her approach to art.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture. Meanwhile, Elín Jakobsdóttir’s Eyes Cast, is a commissioned moving image work shot in Super 8 on location in Leeds Art Gallery. This silent visual poem traces a route through the building with a focus upon two bronze portrait busts by the sculptor Jacob Epstein. This new film is shown alongside plumpe Denken Modalities, a new series of paper cut-outs and drawings.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as the premier international art show, held annually in Basel, Miami Beach, and Hong Kong. Providing a platform for artists and gallerists from around the world, Art Basel supports galleries in nurturing their artists, and is a driving force in the development and promotion of visual arts.
Presented by London based independent film company Day for Night, Nordic Film Festival returns to the UK with a diverse mix of fresh and classic features, documentaries and shorts, showcasing some of the most celebrated and emerging filmmaking talent of the Nordic region.
Type Motion at FACT Liverpool features over 200 outstanding examples of text and typography being used alongside the moving image. Currently on display and running until 8 February, the exhibition showcases the creative possibilities of opening up uses of text, extending the medium beyond print and highlighting the importance of writing as an artform in itself.
Turner Prize-winning artist Grayson Perry presents a provocative and fascinating new exhibition which makes us question identity in modern day Britain. Perry has become a celebrity on the modern art scene, regularly presenting a refreshingly subversive view of British life. In his latest exhibition, 14 portraits of individuals, families and groups, which represent many different aspects of modern day Britain, including a disgraced politician, a young female-to-male transsexual, Northern Ireland Loyalist marchers and X-Factor contestant Rylan Clark, occupy the Gallery’s nineteenth and 20th century rooms on Floor 1.
Collezione Maramotti and Whitechapel Gallery announce a special evening of conversation, reading and performance with Corin Sworn, winner of the Max Mara Art Prize for Women. The event forms part of the Glasgow-based artist’s showcase of work currently being created during the prize’s six-month Italian residency. An avid storyteller, Sworn uses drawing, video and installation to explore the assemblage of narrative through an infusion of collected and sometimes random stimulus.
The last night of the BAFTA Qualifying Aesthetica Short Film Festival saw filmmakers and filmgoers alike gathered in the beautiful ballroom of the De Grey Rooms on Sunday evening to celebrate the past four days of international short film screenings and industry events. Originally an officer’s mess for the Yorkshire Hussars and a Grade II listed building, it was a fitting finale for a festival that continues to open the doors of York’s most iconic and beautiful buildings and invite visitors to explore the city’s hidden treasures whilst indulging in some of the world’s best short filmmaking.
Attendees at the ASFF Opening Night launch party were treated to a special preview selection of the incredible films on offer at this year’s festival. Showcasing the high quality of the programme available over the next few days, the opening night films included Nicolas Novak’s hilarious French comedy, Entretien D’Embauche (Job Interview), Alex Turvey’s stylish film for River Island featuring model collective Justanorm, The Ringer by Chris Shepherd, Robert Hackett’s music video for Public Service Broadcasting and the frozen documentary Zima by Cristina Picchi.
Taking place across the city of York, ASFF celebrates independent short film from around the world. This morning, the team officially opened the Festival Hub at Visit York. In preparation for the busy four days ahead, audiences will be able to purchase and pick-up their festival passes and tickets every day from 9.00am until 5.00pm.
At BAFTA Qualifying Aesthetica Short Film Festival: ASFF, we welcome Turner Prize nominee Isaac Julien for a special Q&A hosted by Art Historian Dr James Boaden on Friday 7 November. This presents a rare opportunity to hear directly from and gain insight into the practice of one of Britain’s leading artists’ filmmakers. Julien will explore how the genre is developing inside and outside of the gallery as well as audiences’ responses to changing techniques in artist filmmaking.
Director Mary Nighy and Karen Millen teamed up to produce No More Tiaras for the launch of the company’s two global flagships. The 3 minute short celebrates individual style and looks at the brand’s recent evolution, and it is due to be screened in the Fashion film strand at the Aesthetica Short Film Festival 2014. Chief Creative Officer of Karen Millen, Gemma Metheringham, speaks to us about their new film, The Journey, and the rise of the fashion film genre over the years.
Like some sort of spandex-clad somersaulter often found in the medium itself, performance art has, in recent years, acrobatically risen to become the red-hot property in today’s contemporary art world. Ever since the mid-1960s, the likes of Yves Klein and Yoko Ono have been utilising the experimental and anti-commodity form to evoke radical messages and go against the commercial gallery grain. But nowadays, performance art is very much the toast of the establishment; in some cases for the better, and some for the worse.
The leading international contemporary art fair, Frieze London, returns to the heart of the UK’s capital, London’s Regent’s Park, for its 12th edition. Sponsored by Deutsche Bank and designed by Universal Design Studio, this autumn’s fair sees a few changes with the inclusion of two specialist sections: Focus, a celebration and fostering of emerging galleries up to 12 years old, and Live, a haven for performance or participatory-based work. Also new to 2014, is the fair’s novel allegiance to public space, using themes of contract, texture and tone. Design highlights of the fair’s bespoke housing include a timber-lined entrance courtyard and dedicated ancillary spaces.
Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October. Curator, Jo-ey Tang, traveled across China and Southeast Asia to select five Chinese artists to be presented alongside three French artists including the renowned Nadar. Tang speaks to Aesthetica about the outstanding creatives he found and the origins of the project.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists – Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell – have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. Running 12 October – 12 December, the presentation showcases Ohtake’s extensive, diverse and innovative body of work. With a practice spanning 30 years, the artist has positioned himself as one of the most important creative forces in contemporary Japanese art. His expansive output is based primarily around the activity of cutting and pasting, but also includes drawing, pasted works, painting, sculpture and photography, as well as experimental music and videos.
The work of fashion photographer Horst P. Horst, whose evocative images are some of the most well known of the 20th century, is showcased in a new exhibition at the V&A, London. The show features 250 photographs and describes the photographer’s collaborations with leading fashion icons such as Elsa Schiaparelli and Coco Chanel in Paris. Horst began his career as a society photographer in the 1930s and his groundbreaking style and innovative use of light and shadow helped him to create carefully structured shots of models. The perfect blend of light and shadow were used to startling effect in his work and in 1943 his editor at Vogue cited his subtle manipulation of lighting as one his key strengths.