Hauser & Wirth’s north gallery on Savile Row is a space that has been transformed in many possible ways, but this time the micro environment created for Pipilotti Rist’s show emerged as an unexpected -nevertheless pleasant- surprise. The entire gallery has been blacked out, carpeted and split into two sectors. At the reception area, where three smaller scale “introductory” video installations puts the audience in the mood for what is ahead, visitors are prompted to take their shoes off and proceed to the main section through a heavy denim curtain. There, white cosy duvets are scattered around the floor and everyone is free to use them as they please and relax while watching the video installation projected on the two large walls of the gallery.
For the 12th year, London Short Film Festival returns with an outstanding programme of events and short films. Running 9 – 18 January at ICA, Hackney Picturehouse and Oval Space, the festival aims to be as confrontational as ever and prove that the UK is truly a hotbed of film creativity. This year, LSFF received an 1,500 submissions in total, including international submissions for the first time, as such the event is sure to showcase the innovation of short filmmakers today.
Moving sites in spring 2015, Manchester-based cross art form organisation, Cornerhouse, closes its current space with nine international artists, filmmakers and musicians celebrating the iconic venue: Rosa Barba, Niklas Goldbach, Andy Graydon, Lawrence Abu Hamdan, Gabriel Lester, Naomi Kashiwagi, Shannon Plumb, Humberto Vélez and Jan St Werner.
Film London has announced Ursula Mayer as winner of the 2014 Jarman Award. The Austrian-born filmmaker was selected from a shortlist of 10 visionary and boundary-crossing visual artists working in the UK. An annual celebration of experimentation, imagination and inspiration, the award recognises artist filmmakers whose creative practice defies conventional classification or definition. As winner of the seventh Jarman Award, Mayer joins the ranks of previous prize recipients Luke Fowler, Lindsay Seers, Emily Wardill, Anya Kirschner & David Panos, James Richards and John Smith.
For those who are passionate about contemporary art and culture, Aesthetica Magazine is the ultimate guide for keeping up-to-date with the latest news from the international art scene. Order a Gift Subscription for someone special this Christmas and save 20% off newsstand prices while also benefiting from a free gift wrapping service and a chance to write a personal message.
Frederick Wiseman’s National Gallery takes the audience behind the scenes of a London institution and into the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century. National Gallery is the portrait of a place, its way of working and relations with the world, its staff and public, and its paintings. In a perpetual and dizzying game of mirrors, film watches painting watches film.
Derek Jarman is one of Britain’s most important and ground-breaking artists of the late 20th century. The Jarman Award is inspired by his practice and celebrates some of the most innovative filmmaking in the UK today. The 10 shortlisted practitioners all demonstrate a spirit of experimentation, imagination and inspiration. This year the films have toured across the country and arrive at Whitechapel Gallery, London, this weekend for the announcement of the winner on Monday 8 December. The winner will not only receive a £10,000 cash prize, they will also win a broadcast commission — to produce a series of film artworks for Channel 4. Find out more about each of the shortlisted artists.
The December/ January issue of Aesthetica is now available to purchase online and in stores internationally. In Issue 62, Aesthetica focuses on the idea of the unconventional. It’s a celebration of practitioners who are experimenting in their field by working in interdisciplinary ways and introducing concepts from other areas of art and design into their work.
Issue 62 of Aesthetica is out in shops now. One of the most thrilling discoveries is someone who is breaking new ground and embodying the word “innovation.” It’s important to look at both established and emerging artists that are the driving force behind this type of progress. At Aesthetica, we are interested in people who are experimenting while stepping outside of the everyday. We want to engage with works that challenge us and change perspective.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life. The resulting pieces create an immersive and highly abstract environment. Buckley is shortlisted for the Jarman Award, an annual prize inspired by one of Britain’s most innovative, esteemed and controversial artists of the late 20th century, Derek Jarman. Aesthetica speaks to Buckley about her admiration for Derek Jarman and her approach to art.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture. Meanwhile, Elín Jakobsdóttir’s Eyes Cast, is a commissioned moving image work shot in Super 8 on location in Leeds Art Gallery. This silent visual poem traces a route through the building with a focus upon two bronze portrait busts by the sculptor Jacob Epstein. This new film is shown alongside plumpe Denken Modalities, a new series of paper cut-outs and drawings.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as the premier international art show, held annually in Basel, Miami Beach, and Hong Kong. Providing a platform for artists and gallerists from around the world, Art Basel supports galleries in nurturing their artists, and is a driving force in the development and promotion of visual arts.
Presented by London based independent film company Day for Night, Nordic Film Festival returns to the UK with a diverse mix of fresh and classic features, documentaries and shorts, showcasing some of the most celebrated and emerging filmmaking talent of the Nordic region.
Type Motion at FACT Liverpool features over 200 outstanding examples of text and typography being used alongside the moving image. Currently on display and running until 8 February, the exhibition showcases the creative possibilities of opening up uses of text, extending the medium beyond print and highlighting the importance of writing as an artform in itself.
Turner Prize-winning artist Grayson Perry presents a provocative and fascinating new exhibition which makes us question identity in modern day Britain. Perry has become a celebrity on the modern art scene, regularly presenting a refreshingly subversive view of British life. In his latest exhibition, 14 portraits of individuals, families and groups, which represent many different aspects of modern day Britain, including a disgraced politician, a young female-to-male transsexual, Northern Ireland Loyalist marchers and X-Factor contestant Rylan Clark, occupy the Gallery’s nineteenth and 20th century rooms on Floor 1.
Collezione Maramotti and Whitechapel Gallery announce a special evening of conversation, reading and performance with Corin Sworn, winner of the Max Mara Art Prize for Women. The event forms part of the Glasgow-based artist’s showcase of work currently being created during the prize’s six-month Italian residency. An avid storyteller, Sworn uses drawing, video and installation to explore the assemblage of narrative through an infusion of collected and sometimes random stimulus.
The last night of the BAFTA Qualifying Aesthetica Short Film Festival saw filmmakers and filmgoers alike gathered in the beautiful ballroom of the De Grey Rooms on Sunday evening to celebrate the past four days of international short film screenings and industry events. Originally an officer’s mess for the Yorkshire Hussars and a Grade II listed building, it was a fitting finale for a festival that continues to open the doors of York’s most iconic and beautiful buildings and invite visitors to explore the city’s hidden treasures whilst indulging in some of the world’s best short filmmaking.
Attendees at the ASFF Opening Night launch party were treated to a special preview selection of the incredible films on offer at this year’s festival. Showcasing the high quality of the programme available over the next few days, the opening night films included Nicolas Novak’s hilarious French comedy, Entretien D’Embauche (Job Interview), Alex Turvey’s stylish film for River Island featuring model collective Justanorm, The Ringer by Chris Shepherd, Robert Hackett’s music video for Public Service Broadcasting and the frozen documentary Zima by Cristina Picchi.
Taking place across the city of York, ASFF celebrates independent short film from around the world. This morning, the team officially opened the Festival Hub at Visit York. In preparation for the busy four days ahead, audiences will be able to purchase and pick-up their festival passes and tickets every day from 9.00am until 5.00pm.
At BAFTA Qualifying Aesthetica Short Film Festival: ASFF, we welcome Turner Prize nominee Isaac Julien for a special Q&A hosted by Art Historian Dr James Boaden on Friday 7 November. This presents a rare opportunity to hear directly from and gain insight into the practice of one of Britain’s leading artists’ filmmakers. Julien will explore how the genre is developing inside and outside of the gallery as well as audiences’ responses to changing techniques in artist filmmaking.
Director Mary Nighy and Karen Millen teamed up to produce No More Tiaras for the launch of the company’s two global flagships. The 3 minute short celebrates individual style and looks at the brand’s recent evolution, and it is due to be screened in the Fashion film strand at the Aesthetica Short Film Festival 2014. Chief Creative Officer of Karen Millen, Gemma Metheringham, speaks to us about their new film, The Journey, and the rise of the fashion film genre over the years.
Like some sort of spandex-clad somersaulter often found in the medium itself, performance art has, in recent years, acrobatically risen to become the red-hot property in today’s contemporary art world. Ever since the mid-1960s, the likes of Yves Klein and Yoko Ono have been utilising the experimental and anti-commodity form to evoke radical messages and go against the commercial gallery grain. But nowadays, performance art is very much the toast of the establishment; in some cases for the better, and some for the worse.
The leading international contemporary art fair, Frieze London, returns to the heart of the UK’s capital, London’s Regent’s Park, for its 12th edition. Sponsored by Deutsche Bank and designed by Universal Design Studio, this autumn’s fair sees a few changes with the inclusion of two specialist sections: Focus, a celebration and fostering of emerging galleries up to 12 years old, and Live, a haven for performance or participatory-based work. Also new to 2014, is the fair’s novel allegiance to public space, using themes of contract, texture and tone. Design highlights of the fair’s bespoke housing include a timber-lined entrance courtyard and dedicated ancillary spaces.
Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October. Curator, Jo-ey Tang, traveled across China and Southeast Asia to select five Chinese artists to be presented alongside three French artists including the renowned Nadar. Tang speaks to Aesthetica about the outstanding creatives he found and the origins of the project.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists – Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell – have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. Running 12 October – 12 December, the presentation showcases Ohtake’s extensive, diverse and innovative body of work. With a practice spanning 30 years, the artist has positioned himself as one of the most important creative forces in contemporary Japanese art. His expansive output is based primarily around the activity of cutting and pasting, but also includes drawing, pasted works, painting, sculpture and photography, as well as experimental music and videos.
The work of fashion photographer Horst P. Horst, whose evocative images are some of the most well known of the 20th century, is showcased in a new exhibition at the V&A, London. The show features 250 photographs and describes the photographer’s collaborations with leading fashion icons such as Elsa Schiaparelli and Coco Chanel in Paris. Horst began his career as a society photographer in the 1930s and his groundbreaking style and innovative use of light and shadow helped him to create carefully structured shots of models. The perfect blend of light and shadow were used to startling effect in his work and in 1943 his editor at Vogue cited his subtle manipulation of lighting as one his key strengths.
Aesthetica Issue 61 is now available to purchase online and in stores internationally. The new edition considers progress and change. There are a few questions around this including how much time needs to pass before something needs to change, or is it simply the case that progress is continuous? The key element is to recognise developments, keeping your eyes and ears open. This is particularly important in the art world because when you start tracking artists and noticing trends, this is when things start to get exciting, especially when those trends are just under the radar.
For 10 years Berwick Film & Media Arts Festival has continued in its aim to turn the small northern town into one big screen. Over the decade festival-goers have been given the opportunity to watch hundreds of international film premieres in a plethora of unique settings, besides the varied special events that last year saw performance artist, Sidsel Christensen, balanced precariously above the River Tweed. For their 10th year, festival organisers have not only produced a glossy anniversary catalogue, TEN, but they also prepared a spectacular Opening Gala with two UK premieres from Momcilo Mrdakovic and Ben Russell.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.
In a town whose faded seaside glamour is both complimented and disturbed by a swath of public art, it is only at low tide that the feverish digging can commence. A swatch of beach that in the morning looks like the realisation of a grim prophecy in a Morrissey song is by late afternoon swamped by an ecstatic crowd. Michael Sailstorfer has buried £10,000 worth of gold bullion in the unforgiving sands of the Old Harbour.
Dave Wise was once described by the producers of hit TV show Britain’s Next Top Model as “… part of the fashion elite” and is now a long way from where he began with his camera at the age of 5. Describing his work, he says: “The thought of tomorrow is so exciting, the next project, one step closer to the day after that; and it all starts all over again”. His work has appeared across the globe and clients include United Agents, The Artists Partnership, EFFIGY Magazine, FIASCO Magazine, Vogue.com, Universal Records, BOX Boutique, Christophe Willem, Channel 4, Junipero Magazine and Concierge Magazine.
International video art is celebrated in an exhibition at Birmingham Hippodrome and across the city this November. About Town is presented in partnership with Ikon and showcases a wide variety of free night-screenings by artists from the UK and abroad, in unique urban spaces. Running 13-16 November, the event combines new commissions and pieces from the Ikon’s recent programme.
The opening of the Black Cultural Archives (BCA) in Brixton marks a significant milestone in the life-cycle of the south London borough of Lambeth. Proudly housed in the listed Raleigh Hall on the corner of the iconic Windrush Square, the archive finally exposes the fragility, the battle and the joy experienced by Black-Britons as they came to forge an indelible and unique contribution to the cultural landscape not only of London where the S.S. Empire Windrush docked in 1948 but spiralling outwards to encompass the entire island, creating in its wake a wave of activism and defiance.
City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London
50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.
This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.
The Aesthetica Short Film Festival (ASFF) is delighted to announce it is now a BAFTA recognised festival, an achievement that is unprecedented for a festival in its fourth year. This latest accolade stands testament to the creativity and bold programming of ASFF, which has now firmly established itself as a dynamic player on the film festival circuit.
There is still time today to enter Aesthetica’s creative opportunities for artists and writers. The Aesthetica Art Prize, now in its eighth year, celebrates excellence in contemporary art from around the world. Artists at any stage in their career working in all media are invited to submit works that demonstrate innovation, creativity and technical skill. The Aesthetica Creative Writing Award supports and publishes literary talent on an international scale, selecting finalists for publication in the Aesthetica Creative Writing Annual. We present the prizes available for both awards, which make them essential events to take part in this year.
Cultural identity and the constructed systems of belief within society are questioned in the practice of Yael Bartana (b. 1970). Born in Israel, the artist blends fact and fiction in her photography, film and installation work. Bartana’s Inferno appears at the São Paulo Biennial 6 September – 7 December. She speaks to Aesthetica about the importance of video art and her term “historical pre-enactment”.