Cultural identity and the constructed systems of belief within society are questioned in the practice of Yael Bartana (b. 1970). Born in Israel, the artist blends fact and fiction in her photography, film and installation work. Bartana’s Inferno appears at the São Paulo Biennial 6 September – 7 December. She speaks to Aesthetica about the importance of video art and her term “historical pre-enactment”.
“I think there is a world market for maybe five computers” said Thomas Watson, chairman of IBM, in 1943, proving again that in the realm of technology it is very dangerous to make any prediction at all. So although the Barbican’s Digital Revolution is an exhibition of 30-ish years of digital art, computers, websites, CGI, music videos and games rather than a manifesto, there is still some slight hubris-in-the-making at work in its putting games made in the 1990s alongside examples of contemporary technology and artwork. You feel the future looking over your shoulder throughout, and the future has a tendency to assume we were all quaint. So the Barbican is to be admired and not envied: it has curated a show that will end up being discovered as what 2014 thought of itself.
The Aesthetica Art Prize invites submissions from artists at all stages in the career, working in any medium and celebrates innovation and excellence in technical skill. Entries are open until 31 August 2014. Selected works for the latest edition of the Prize, spanning film, photography, sculpture and painting are presented here as demonstrations of the breadth and quality of works being produced today; and we highlight the longlisted artists’ achievements since the award. These include Henry Iddon, Ana Catarina Pereira, Wycliffe Stutchbury and Wilson-Eflerová (Kye Wilson and Helena Eflerová).
Over 150 leading authors and artists from more than 30 countries come together for South-East Asia’s most exciting literary event, Ubud Writers & Readers Festival (UWRF). Sir VS Naipaul, Amitav Ghosh and Eimear McBride are some of the names to be taking part in this celebration of global issues, big ideas and extraordinary stories.
As much as it might seem provincial that non-western art is categorised by geography and ethnicity, Here and Elsewhere at the New Museum, New York, does justice to this grouping. Encompassing a vast territory of over 15 countries in the Middle East that include Iran, Syria, Lebanon, Egypt, Turkey, Palestine, UAE, and Morocco, the question of fetishising locality at the cost of undermining high standards of art is met head on. Here we see artistic productions by artists challenged by exile and war.
The latest edition of the Aesthetica Art Prize featured outstanding artists working in video, installation and performance. These practitioners are breaking new ground within their given fields, and we are delighted to showcase their selected works, while each artist brings us up to date with their progress since being longlisted for the Aesthetica Art Prize.
Remote, beautiful – and increasingly endangered – the Arctic has long been a subject of fascination for many and a source of inspiration for artists. SALT is an ambitious concept to create arts and cultural experiences in the northernmost regions of our planet. It will invite world-famous artists to the Arctic Circle to create works which respond to the breathtaking landscapes, nature and history of the Arctic – while always aiming to treat the landscape with care and respect.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.
Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for emerging artists wanting to make a significant impact upon the art world today. With prizes ranging from up to £5,000 to editorial coverage in Aesthetica Magazine, which has an impressive readership of 168,000 worldwide, this is a unique opportunity to generate greater exposure. Read Cass Art’s recommendations here.
We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts, film, music and cultural industries, our judges lend their expertise to support the next generation of leading practitioners. The panellists will be looking for innovative artworks that display excellence in technical skill and ability. The Judging Panel includes the following art-world professionals.
Artist Filmmaker and Designer Sarah Jane Palmer was selected for the Aesthetica Art Prize longlist with her film Net. The work is an ongoing performance/installation in which she continues to produce a net drawing on a 10-metre paper roll during her residency at the Lace Market Gallery in Nottingham. Net is part of a body of work based on research into Nottingham’s historic lace trade and Palmer’s own ancestral connections to lace design.
It was in 1964 that the first USA exhibition of Maqbool Fida Husain (b. 1915- d. 2011), aka M.F. Husain, was displayed in India House, New York. Fifty years on, we now have the opportunity to view his Indian Civilisation series at the Victoria & Albert Museum (V&A), London.