Artist Filmmaker and Designer Sarah Jane Palmer was selected for the Aesthetica Art Prize longlist with her film Net. The work is an ongoing performance/installation in which she continues to produce a net drawing on a 10-metre paper roll during her residency at the Lace Market Gallery in Nottingham. Net is part of a body of work based on research into Nottingham’s historic lace trade and Palmer’s own ancestral connections to lace design.
With the Aesthetica Art Prize call for entries deadline on 31 August 2014, we look in depth at the work of longlisted artists from the latest edition. Anyes Galleani is an Italian-born, Los Angeles based visual artist that uses photo montage and collage to create unique images and paintings.
In the countdown to the Aesthetica Art Prize call for submissions deadline on 31 August 2014, we look in focus at artists from the latest award. Conceptual artist Marie Brenneis was featured in the Video, Installation & Performance category with Deliberate Digression an installation that incorporates wearable sculptures exploring themes of fantasy and conformity.
Lizzie Cawthray is challenging the outdated notions of knitwear with her fresh, stylish and playful company, Needle. Cawthray aims to produce luxurious pieces that make her customers feel fantastic. After working as the knitwear product developer at LK Bennet for a number of years, Cawthray decided to focus her attentions fully on the versatile material and Needle was born. She speaks to Aesthetica about her future plans and the designers who inspire her.
Mexico has had a long and tumultuous history that has contributed to the making of it as such an iconic country. From ancient pre-hispanic people to the urban modernity of its contemporaries, the vast array of influences that have been adopted by its citizens has created a uniquely Mexican worldview and way of life. Now placed as an ‘emerging power,’ the country’s enduring recognition of its traditions, alongside a simultaneous ability to embrace the future, makes for an intriguing society.
This weekend is full of fascinating exhibitions, utilising all sorts of media. Sebastian Errazuriz uses a 3D printer to create his sculptures, while Sonic Social in Sydney harnesses sound to create site-specific works and Stan Douglas’ Mise en scène blurs the line between photography, performance and film. Marina Abramović continues the 512 hours she’ll spend in the Serpentine this summer, using her body and her presence as media. In New York, Some Artists’ Artists brings together work in a variety of media, chosen by some of the most influential artists working today.
Synesthesia is a combination of interactive digital innovation and timeless fashion. Teaming up with Fred Perry for the Spring/Summer 2014 campaign, the website is an exploration of the phenomena of synesthesia, when one sensory response induces a sensation in another. The product of Olya Korsun, Anya Oderyakova and Poon Sap’s creative thinking, the team intend to both entertain and educate visitors to the website. We speak to Fashion Director, Anya Oderyakova, and Art Director, Olya Korsun, about the initiation of the project and how to match colours with sounds.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
The Aesthetica Art Prize, which is now open for entries, is an annual award given by the international art and culture publication Aesthetica Magazine, distinguished by its dynamic content, merging compelling critical debate and stunning images, to engage with all aspects of visual art and culture. The Aesthetica Art Prize celebrates excellence in art from across the world and offers both budding artists and established practitioners the opportunity to showcase their work to wider audiences and further their involvement in the international art world.
Aesthetica Issue 59 is now available to purchase online and in stores internationally. The new edition explores the idea of the unexpected and the notion that what actually happens is different from what was originally planned. Inside this issue, we start with Barbara Kruger’s new major site-specific installation at Modern Art Oxford, alongside her iconic 1980s paste-ups that continue to critique our consumerist culture.
The creative hub of East London, the Old Truman Brewery arts and media quarter on Brick Lane, plays host once again to Europe’s largest graduate art, design and fashion show, Free Range. The exhibition showcases the breadth of work being produced by the UK’s army of young creatives – both to the public and to the creative industries on the look-out to spot rising new talents.
Degree Show season is upon us once more and art students up and down the UK are in the process of preparing their final projects for examination. The concluding exhibitions offer a public audience an insight into the brightest new talents at work in the art industry. From Edinburgh to Plymouth, London to Norwich, Aesthetica takes a look at the best emerging artists.