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Carpenters Workshop Gallery at Design Show Shanghai 2015, Shanghai Exhibition Centre, Shanghai

For China’s biggest design fair, Carpenters Workshop Gallery will present a selection of work by Sebastian Brajkovic, Humberto & Fernando Campana, Ingrid Donat, Stuart Haygarth and Studio Drift.

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Jason Rhoades: Organised Chaos in Aesthetica Magazine

Jason Rhoades, Four Roads at ICA Philadelphia was the artist’s first major exhibition at an American museum, revealing his sprawling environments made from a wide range of materials. Now, for the first time in the UK, a major exhibition of work by Rhoades will open at the BALTIC, Gateshead, on 6 March. In celebration of this retrospective, we take a look at Organised Chaos from Aesthetica Issue 54.

Interview with Exhibit Be Founder Brandan Odums

Exhibit Be is an artistic endeavour of epic proportions. Helmed by artist and film-maker Brandan “BMike” Odums, with logistical support from freelance editor and web-content creator Lydia Nichols and arts and museum curator Lana Meyon, it is an ode to how art disturbs the waters of our contentment without cornering us with guilt. Located in Algiers, a quiet suburb of New Orleans across the Mississippi river from the downtown core, Exhibit Be, a collaboration of 30 plus artists, transformed the abandoned Woodlands Apartment Complex, a five building, five-story apartment complex, into a giant street art installation.

Desiree Akhavan’s Appropriate Behaviour in Cinemas from 6 March

Former student of Ira Sachs and previously known for her cult web series, The Slope, and short film, Nose Job, Desiree Akhavan is set to be one of the emerging stars of 2015. Playing a character in the fourth season of Girls, and cited as the “new Lena Dunham,” Desiree Akhavan now brings to the screen her debut feature film Appropriate Behaviour.

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Aesthetica Art Prize 2015 Longlist: Carolina Redondo

The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences. Now in its eighth year, the Aesthetica Art Prize exhibition and anthology unites a dynamic selection of emerging and established international practitioners. This year’s longlist of artists includes Chilean-born practitioner Carolina Redondo.

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Interview with Artist Magne Furuholmen, Exhibiting at Dovecot Studios

This March Dovecot Studios opens a new exhibition of work from Norwegian visual artist and musician Magne Furuholmen. After visiting Dovecot Tapestry Studio in 2013, Furuholmen set about producing a a new unique woodcut print design for a tapestry entitled Glass Onion. The exhibition, Peeling a Glass Onion, also features music, film, printmaking and large-scale ceramics. We speak to Furuholmen about his move into tapestry and how Dovecot inspired the new work.

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Guy Bourdin: Walking Legs, Michael Hoppen Gallery, London

Walking Legs, is one of Parisian photographer Guy Bourdin’s most loved campaign series, commissioned initially by French shoe designer – and longstanding friend, collaborator, client – Charles Jourdan. Shot against quintessentially English home, town and country landscapes, this high-end 1979 campaign is surely an unusual one – comprising a range of disembodied mannequin legs which appear to be strutting along proudly in their glimmering designer heels.

Isobel Egan, Internal Spaces, hand-built porcelain grids mounted onto a bespoke painted backing piece, thirty six hand-built porcelain boxes, fired to 1250 degrees, 2014, 80 x 80 cm. Courtesy of Ceramic Art Lond

Ceramic Art London 2015, Henry Moore and Gulbenkian Galleries, RCA, London

The 11th edition of Ceramic Art London, the leading international showcase for contemporary ceramics, returns to London this year to take over the Royal College of Art.

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Review of Sky Academy Arts Scholarships Showcase Event

Since 2011 Sky Academy Arts Scholarships (previously Sky Arts Futures Fund) have supported five promising artists under 30 annually with a £30,000 bursary and mentoring opportunities. The Scholarships aim to release the financial and second-job shackles of life as a young artist and provide an opportunity for each to take their practice to the next level with the help of dedicated mentors in their field. Last year’s Scholars were visual artist James Lomax, dancer and choreographer Eleesha Drennan, theatre designer David Shearing, jazz drummer and composer Ollie Howell and creative producer Tom Mcdonagh.

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Review of Grace Schwindt: Only a free individual can create a free society, Site Gallery, Sheffield

Grace Schwindt’s Only a free individual can create a free society is a captivating feature-length film installation currently in place at Site Gallery, Sheffield. Running until 28 February, the piece has been co-commissioned by the gallery and explores the radical left-wing politics of Germany in the 1960s-1970s. Within the gallery, the set was simplistic – a single road mapped out in black material, with white either side of it, set against the distinctive backdrop of a city skyline. The words of the feature were spoken in unison by no more than a handful of actors dressed in lavish and bizarre costume. At times, it seemed to channel a shared consciousness of society, yet, at others, a mere singular voice. The collective vs. the individual played throughout the show, which examined a foreign society to our own. The chant itself sounded magical, as though it were a séance, and now and then a new character would speak once again.

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5 To See This Weekend

This week’s 5 To See features work from the internationally renowned, the critically acclaimed, the culturally overlooked, and promising newcomers. Mima presents the fine art of David Lynch, charting a relationship with names and identity which has come up time and again in his filmography. Belgian designer Dries van Noten invites visitors to explore his creative inspirations at the MoMu in Antwerp. Meanwhile, the work of Georges Noël is on display at the Musée d’Art Moderne, paying tribute to the Béziers-born artist.

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Review of Zhang Huan: Sydney Buddha, Carriageworks, Sydney

Carriageworks is a fitting space to house the grand structures created by artist Zhang Huan (b. 1965) in his current exhibition, Sydney Buddha (2015). As viewers make their way down the concrete decline and through the entrance of the large glass doors, they are greeted by two structures standing at more than five metres tall. Made of two pieces, one is an aluminium structure acting as a mould for the second piece, which is a composition of more than 20 tonnes of incense ash. The pristine aluminium sculpture sits facing its slowly disintegrating opposite – a scene that reflects the confronting essence of time.

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Victoria Miro, Art Basel Hong Kong

Victoria Miro, London, will be showcasing a selection of international artists at Art Basel Hong Kong from 15-17 March. Exhibiting artists include Yayoi Kusama, Grayson Perry and Isaac Julien. The newest Art Basel show, the Hong Kong edition features a wide variety of galleries from Asia, Asia-Pacific and the rest of the world.

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The Tell-Tale Heart, Chi Art Space, Hong Kong

The Tell-Tale Heart, a group exhibition curated by Pilar Corrias (London) and Leo Xu Projects (Shanghai), will open on 13 March to coincide with Art Basel’s Hong Kong fair. The show will feature new works from a line-up of internationally acclaimed artists, including Rirkrit Tiravanija and Ian Cheng.

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Review of Antonio Berni: Juanito y Ramona, MALBA, Buenos Aires, Argentina

Antonio Berni: Juanito y Ramona showcases more than 150 works of one of Argentina’s most dynamic and acclaimed artists of the 20th century. Berni was a well-known public figure by the end of his life, and this exhibition – a collaboration between the MALBA and the Museum of Fine Arts in Houston – gives us a clear understanding as to why Berni’s work has transcended art history and entered Argentina’s national folklore.

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Interview with Design Duo Foreign Policy, Speakers at ING Conference 2015

Yah-Leng and Arthur are the co-founders of Foreign Policy. Together, they are a think tank based in Singapore that crafts, realises and evolves brands with a creative and strategic deployment of ideas narrated by various appropriate media. The two of them are due to speak at ING Conference, Dubai, 27 – 28 March. ING is a creative community that connects industry professionals to instigate positive change. Since 2012, the ING Conference has hosted talks and workshops with leading international creatives, designers and entrepreneurs. We speak to Foreign Policy ahead of the two-day event.

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FORMAT15: EVIDENCE, Derby

The FORMAT biennale, one of the UK’s leading international contemporary festivals of photography, celebrates its 10th anniversary this year and will bring together top contemporary photography under the curatorial theme of EVIDENCE. Rivalling international peers, FORMAT champions photography from all over the world and introduces new talents to the UK; this year the festival will show artists from North America, Europe, Scandinavia, Russia, India, China, South East Asia and Eastern Europe in the historic city of Derby.

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Review of History Is Now: 7 Artists Take On Britain, Hayward Gallery, London

The Hayward Gallery has put on a brave set of displays curated by seven artists, who each look at elements of British history from 1945 to the present day. Running until 26 April, the central part of the exhibition is deeply political. This section of the show openly and proudly displays a fusion of art with contemporary politics. “Ulster is Protestant” and “We stand by the IRA” are just two statements Conrad Atkinson included in his piece Northern Ireland 1968 – May Day 1975 (1975-76). In 126 photographs and statements typewritten onto orange, white and green card, Atkinson takes the visitor on a journey through the “troubles” where Catholic and Protestant both uphold their political campaigns through graffiti on the streets of Northern Ireland. One anonymous statement that stands out is: “Northern Ireland has a problem for every solution”. This display highlights the idea that art should create questions, and ask the viewer to explore.

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Adam Magyar: Kontinuum, Julie Saul Gallery, New York

Experimental video and still photography artist, Adam Magyar is now showing for the first time outside of Europe and Asia, with various works including six videos, images from his Stainless series, and new prints from the Urban Flow series.

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Ricardo Brey: Fuel To The Fire, Museum of Contemporary Art, Antwerp

This exhibition bridges the gap between the two figures Ricardo Brey sees within himself: the historical artist working at a critical time in the history of Cuban art; and the highly contemporary artist who lives and works in Flanders, whose artworks discuss the widespread consumption of slick, mass-produced imagery.

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Review of Trove, Irish Museum of Modern Art, Dublin

It is difficult to write about Trove at the Irish Museum of Modern Art in Dublin, without first working outwards from the old military hospital it is housed in. Before casting one’s eye over the river Liffey as it drifts gently through the city then north to the mountains and southbound towards the Irish Sea. Like lines of lineage and age on the trunk of a felled tree, Trove marks boundaries in landscape and history from the eastern tip of the island as it faces Europe to the west looking outward to America. The Irish contemporary artist, Dorothy Cross, was invited to select artefacts and works housed in the national collections at the National Museum of Ireland, the National Gallery of Ireland, the Irish Museum of Modern Art and the Crawford Gallery in Cork.

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Review of Bonalumi Sculptures, Mazzoleni Art, London

For its second exhibition, Mazzoleni Art, London, welcomes a retrospective of Italian artist Agostino Bonalumi’s innovative work. The collection serves not only as a comprehensive study of Bonalumi’s enduring artistic interests; namely the importance of aesthetic and form but also signifies an important step in reinforcing the artist’s reputation on the international art scene. Indeed, the exhibition coincides with the international presentation of a large scale monograph, Bonalumi Sculptures; a collaboration between Mazzoleni gallery and the artist’s estate.

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5 To See This Weekend

This weekend’s 5 To See reflects on photography, looking at several large-scale exhibitions as well as more personal and subjective projects. Tate St Ives presents its largest display of photography, spanning several continents and decades to chart the development of Modern Art practises. João Maria Gusmão and Pedro Paiva present a Western African voodoo ritual from the perspective of the performers, whilst Renzo Martens questions the ethical integrity of Western journalists documenting African poverty. The CAM Houston blurs lines of performance and real world encounters, and Iveta Vaivode connects with her family home on a personal journey.

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International Kontinent Photography Awards Open for Entries

The international Kontinent Photography Awards are now open for entries. The competition honours the best of the photography world, providing global recognition and new opportunities for artists. In previous years, Kontinent has received submissions numbering in the thousands from more than 100 countries. Every year top professionals within industry come together to select the best photographers of the year. There are six main categories for the awards, incorporating Advertising, Fine Art, Editorial/Documentary and Nature.

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Coates & Scarry: Vestige, Gallery 8, London

Artists Lisa Wright, Emma Vidal, Penny Byrne, Aaron Smith and Henry Hussey reference historical imagery and objects in a selection of new works, ranging photography and painting to porcelain fig-urines, charcoal and pencil sketches to bronze sculpture.

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Review of Guy Bourdin: Image Maker, Somerset House

From the glossy veneer of the pages of Vogue to the polished presentation of fine art, Alistair O’Neill and Shelly Verthime galvanise the work of Guy Bourdin within the galleries of Somerset House in Image Maker. Bourdin was the first photographer to present a fashion item through a crafted, complex narrative that is at once provocative, shocking, exotic and ominous. Truly legendary in his image making, Bourdin’s works were uncanny and mysterious, full of violence and charged with sexuality and surrealism.

Interview with Ashley Carr, Performer in Cirque Eloize

Performance group Cirque Eloize mixes acrobatics, juggling, cyr wheel and German wheel performances. The company are due to tour the UK with their visually arresting Cirkopolis, a stylish and sophisticated production, full of awe-inspiring acts. We speak to performer Ashley Carr ahead of the opening tonight at Sadler’s Wells’ Peacock Theatre. Carr, who the Jerwood Award and founded his own company Kicking The Moon, talks us through the creation process and the pros and cons of performing in different spaces. 

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Barbara Kruger: Early Works, Skarstedt London

Presenting large-scale works from the 1980s, this exhibition surveys the beginning stages of influential American artist Barbara Kruger. Her black and white photographs are overlaid with boldly printed provocative captions such as “don’t buy us with apologies” and “we are your circumstantial evidence” to examine power, identity, gender and sexuality. These texts juxtapose their accompanying imagery to, as she explains, “question the seemingly natural appearance of images.”

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Review of Luc Tuymans: The Shore, David Zwirner, London

Luc Tuymans returns to David Zwirner, London, for the second time with a new body of work, The Shore. Drawing upon a diverse cross-section of subjects including a Japanese cannibal, footage from a British World War II film and portraits by Henry Raeburn, Tuymans’ work silently glides from subject to subject. However, the longer the viewer spends with the paintings, the more you are forced to confront topical socio-cultural and historical issues.

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Encounters, Art Basel, Hong Kong

Encounters, comprising of 20 large-scale projects by artists from across Asia and beyond, opens to the public on 15 March. A sector of Art Basel‘s Hong Kong show, this year’s edition of Encounters will present artworks from a wide selection of countries including Indonesia, Germany and the United States.

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Age of Glamour, Fashion from the Fifties, Lotherton Hall, Leeds

Exhibiting women’s fashions from the 1950s, Age of Glamour will open the now extensively refurbished Fashion Galleries at Lotherton Hall. This new, 21st gallery space includes modern cases, improved lighting and new interactive technology, allowing the addition of film and sound elements.

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Interview with Andrew Whaley, Writer of The Rise and Shine of Comrade Fiasco

Andrew Whaley’s play, The Rise and Shine of Comrade Fiasco at Gate Theatre transports the audience back to Zimbabwe in 1986. The piece focuses on Comrade Fiasco, a man who came out of a cave, seven years after independence claiming to be a freedom fighter. Fiasco finds himself in a cell with Chidhina, Febi and Jungle, who attempt to come to terms with Fiasco’s confused accounts of the war and their own personal feelings on what happened. We speak to writer Andrew Whaley about his initial idea for the play and the importance of considering independence now nearly 30 years later.

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Review of Mimmo Rotella, Robilant + Voena, London

In a career spanning more than 50 years, Mimmo Rotella experimented with a number of different working methods, trying to overcome the traditional languages of expression and representation. This exhibition at Robilant + Voena, London, curated by Antonella Soldaini, brings together work from across his entire career, demonstrating an array of forms and styles which remain as powerful now as they ever were.

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5 To See This Weekend

Our 5 to See This Weekend focuses largely upon the power of retrospect. Our retrospective society can help to preserve art movements and the oeuvres of influential figures, such as the work of avant-garde Sonia Delaunay, as well as shape the future of the art world. Mark Klett constructs a conversation with the writing of Raphael Pumpelly by traversing the same stretch of desert, and the artists at Saatchi Gallery examine the amazing power of Pop Art. Meanwhile, Iris Van Herpen uses her knowledge of traditional craft techniques to shape a new form of couture with 3D printing.

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Review of Andy Warhol and William Morris: Love is Enough, Modern Art Oxford

Curated by Turner Prize winning artist Jeremy Deller, Love is Enough explores the relationship between two artists whose lives and artistic practices belonged to different centuries, William Morris, (1834-1896) and Andy Warhol (1928-1987). The comparison might be bold, and Deller admits to having taken liberties with two artists who are no longer living, by placing their works side by side: “But having said that, I imagine Warhol would have approved, as he always had a keen sense of art history.” The presence of a third artist is suggested by the exhibition, as indicative of a personal influence, Deller citing both artists as influential on his own work.

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Brendan Stuart Burns: Gesture, Glimpse, Memory, Osborne Samuel, London

Recently awarded a Creative Wales Major Award by the Arts Council of Wales, internationally-renowned artist Brendan Stuart Burns presents his first solo exhibition in London with intimate studies in oil and wax on linen, which explore the fine line between figuration and abstraction. Burn’s work mainly focuses on the ecology of the Pembrokeshire coast in Wales, a dramatic coastline which also inspired Graham Sutherland in the 1930s and the work of John Craxton.

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Review of Daniel Silver: Rock Formations, Frith Street Gallery, London

The story behind the latest sculptures of Daniel Silver (b. 1972) at Frith Street Gallery makes the work all the more compelling. It sounds like an old wives’ tale: Silver found ancient marble in a stone yard in the Italian town of Pietrasanta, blocks buried in the undergrowth, quarried years ago but now merely strange stone ghosts of the landscape. After closer inspection Silver saw that some of the stones were carved with mysterious numbers, others retained the wear of chisel marks and workman’s tools, scars that had yet to heal. It was a feature that drew Silver to the stone, to rescue these leftover fragments of a forgotten time.

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Bridget Riley: Prints 1962 – 2015, Sims Reed Gallery, London

This exhibition offers an overview of the career of Bridget Riley, one of Britain’s most significant Postwar artists, taking a selection from Riley’s complete catalogue of prints which punctuates specific turning points in her career. Riley’s printmaking over the last 50 years has run parallel to the developments in her painting, the artist’s imagery consistently evolving and innovating, as she is still working today.

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East London Painting Prize: Call for Entries, The Legacy List and Bow Arts

Created by The Legacy List and Bow Arts, the East London Painting Prize offers artists living and working in east London the chance to win a £10,000 cash prize and a solo exhibition in an east London gallery.The shortlist meanwhile, will take part in a group exhibition in a unique east London venue, showcasing the best of contemporary painting to come from this creative hub.

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Interview with Andy Holden of The Grubby Mitts

Acclaimed artist Andy Holden has teamed up with Roger Illingworth, Johnny Parry, John Blamey and James MacDowell to form The Grubby Mitts, an experimental band breaking the boundaries between art and music. Known for utilising everything from homemade instruments to repeating lyrics, The Grubby Mitts spent their most recent tour performing in art galleries rather than typical venues.  The band’s new album, What The World Needs Now Is, is due out 9 March on Lost Toys Records. Aesthetica speaks to Holden about his latest release and his decision to move into the world of music.