Artist Filmmaker and Designer Sarah Jane Palmer was selected for the Aesthetica Art Prize longlist with her film Net. The work is an ongoing performance/installation in which she continues to produce a net drawing on a 10-metre paper roll during her residency at the Lace Market Gallery in Nottingham. Net is part of a body of work based on research into Nottingham’s historic lace trade and Palmer’s own ancestral connections to lace design.
As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery, Birmingham, is a departure from the solo and two-person exhibitions that have become synonymous with Ikon’s programme. Instead, this latest exhibition presents a culminating survey of the decade of decadence and excess. The exhibition features 29 artists that exhibited at Ikon, then located at John Bright Street, including Dennis Oppenheim, Charles Garrad, Cornelia Parker, Susan Hiller, Sean Scully, Richard Wilson and many more during the 1980s. Their works span across the two floor gallery and the tower room project space illuminating cutting edge philosophies and advancements in technologies that now look incredibly dated almost to the point of redundancy or have transitioned to become artefacts. However, as one intriguingly admires and creates rapports with these “artefacts” an astute sense of nostalgia envelops the celebration of the artists, their works and the legacies they leave behind.
The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously at its North London home in a former Methodist chapel. They combine new site-specific works with pieces selected from the 3,000 works spanning 40 years of modern art which are held by the Collection. Each of the artists contributing engages in a distinctive way with the question of how to make sculpture today, while at the same time a number of threads can be seen which link their approaches. A central concern is an evocation of the human body and its fragile, messy nature, as well as the passing of time.
Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Based in London, Griffin Gallery supports emerging artists through its diverse programme of exhibitions and its annual art prize, Griffin Art Prize. Above the gallery space are two fully equipped artists’ studios available for short and long term residencies, and adjoining the studios is the Innovation and Development Laboratory where new artists’ materials are developed for Winsor & Newton, Liquitex, Conté á Paris and more. Pelly-Fry speaks to Aesthetica about her interest in new artists and the hurdles they have to overcome to succeed.
This summer The Hepworth Wakefield presents the first reinvention of Allan Kaprow’s Yard to be realised in the UK. First installed outside the Martha Jackson Gallery back in 1961, Kaprow’s seminal “Environment”, or “Happening” will be hosted by The Calder, The Hepworth’s latest contemporary art space. Set across 600 square metres on the ground floor of a former 19th century textiles mill in the gallery garden, the project will comprise of thousands of tyres, which visitors are encouraged to play with, rearrange and rediscover.
Nicholas Gentilli is a photographer with over 30 years’ experience of shooting places and spaces. His professional genesis lay, until 4 years ago, in the architectural photography that has quintessentially represented his career, before he laid down his commercial toolbag in favour of a pursuit of his more artistic urges. Gentilli’s photograph Au bord de la Mer was longlisted for the Aesthetica Art Prize. It comes out of a visit to Vancouver where the sense of East meeting West is very powerful. We speak to Gentilli about his photographic practice.
The House of Illustration is not new. It launched in 2002 as a UK illustrators’ collective, spearheaded by Emma Chichester and indeed Quentin Blake himself, and has since attracted the attention of illustrators Peter Blake, Lauren Child, Sara Fanelli, David Gentleman and Jan Pienkowski, as well as Philip Pullman, Will Alsop and Peter Capaldi, to name a few. They’ve done travelling tours, education programmes and book illustration competitions. What’s new, however, is that 12 years down the line, they have found themselves a permanent home – and a sweet home it is too.
This new exhibition at the Marian Goodman Gallery presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries including Cuba, England, Holland, Kosovo, Albania and Taiwan, Some Artists’ Artists showcases a multitude of voices in which resonances and dissonances emerge.
From London to Chicago, this weekend brings a diversity of alluring exhibitions including one of America’s most individual artists, Ursula Von Rydingsvard, who is showcasing her collection at the Yorkshire Sculpture Park. Her highly personal sculptural language flows from her series of complex wall-mounted works and monolithic structures. In Chicago, Earthly Delights at MCA Chicago challenges rationality, exploring the significant supremacy of beauty. This weekend learn about prominent women designers at MoMA and discover fascinating exhibitions from Towner and Timothy Taylor Gallery. Check out our list of recommend exhibitions to see this weekend.
With the Aesthetica Art Prize call for entries deadline on 31 August 2014, we look in depth at the work of longlisted artists from the latest edition. Anyes Galleani is an Italian-born, Los Angeles based visual artist that uses photo montage and collage to create unique images and paintings.
Kazimir Malevich (1879 – 1935) was one of the great innovators and explorers of European abstraction. He had a clear sense of the trajectory of style and purpose in the visual arts, and in his eyes, art had an exalted destiny in the modern world. Unlike the Russian artists of previous generations, Malevich could claim to be up to date with European painting: the pioneering collections of Moscow-based Sergei Shchukin and Ivan Morozov were fertile ground for him to study the most interesting avant-garde artists from Claude Monet to Henri Matisse. Accordingly his early work bears the heavy influence of successive styles – Impressionism, Symbolism, Futurism and Cubism. During the long years of his early career Malevich was devoid of an individual style that he could call his own, and his desperate search for one is all too palpable.
Following its unveiling at the Venice Art Biennale last year, Ron Arad’s Last Train project makes its way to London. Ron Arad (b.1951) opens his Camden studio to showcase the large-scale diamond engravings created by a range of artistic collaborations.