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Ida Ekblad, New Work, Herald St and Herald St-Golden Square, London

In New Work, her second solo show at Herald St, Ida Ekblad presents two new bodies of work in paint, stretching across the gallery’s twinned sites: Herald St and Herald St-Goldern Square. Fuelling the Norwegian artist’s chance-based practice, is an eager search for renewal and nourishment in an urban context. Foraging, collecting and utilising resources found on her daily walks, Ekbald brings the rubble and disgarded materials of the everyday into the painter’s process. 

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Juan Fernando Herrán is Awarded The Fifth Prix Pictet Commission

The Colombian photographer Juan Fernando Herrán has been announced as the winner of the fifth Prix Pictet Commission. Selected by partners of the Pictet Group, Herrán will respond to the commission’s theme of Consumption and produce a series of photographs examining the material culture in three of Colombia’s indigenous communities.

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Review of Horst P. Horst: Horst Vintage, Hamiltons London

Horst P. Horst is one of the most iconic fashion photographers of the mid-20th Century. Known by the one-word photographic byline “Horst”, his expansive oeuvre of fashion and portraiture photography was a collaboration of talent, glamour and imagination. Spanning from the 1930s through a career of 60 years, Horst mastered an unrivaled technique in his image making. Of its time his use of lighting and composition were but two significant factors that helped contribute to a definitive and iconic style that would help to deem his work revolutionary; not singularly in terms of photography, but also with regards to advertising editorial, fashion and design. Noted as the primary photographer for Vogue by the mid 1930s, the artist’s images involved art directors, fashion editors and set technicians in precise and often intricately arranged studios.

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Review of Alibis: Sigmar Polke 1963 – 2010, Tate Modern, London

The career of Sigmar Polke is the restless search for the optimum means of expressing the truth of the static past in the fluid present. It is the courageous indictment of a tendency to negate catastrophe with a simple alibi, which only denies having seen anything at all. Polke deconstructed his sensuous now in order to get to the bottom of a national conundrum that remained locked, and this exhibition reveals that his key was always nothing more or less than the unstable boundaries of art.

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Multiplied Contemporary Editions, Christie’s South Kensington, London

The UK’s only art fair dedicated to contemporary prints and editions opens today at Christie’s South Kensington. Multiplied returns for the fifth year and takes place during Frieze Week, one of the most important periods in the contemporary art calendar. 40 contemporary galleries from around the world will showcase an extensive and eclectic range of prints, photography, digital art, artist books and multiples. In addition, there will be art from a number of important artists, such as Damien Hirst, Gary Hume, William Kentridge, Sarah Lucas, Daido
Moriyama, Cornelia Parker, Yinka Shonibare, David Shrigley, Gavin Turk and Rachel Whiteread.

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Jonas Burgert: STÜCK HIRN BLIND, Blain|Southern

In his first solo show in London in over five years, acclaimed German artist Jonas Burgert exhibits an exciting new body of work, exploring the notion of a world suspended in time. STÜCK HIRN BLIND at Blain|Southern presents the artist’s largest painting to date – a monumental work spanning eight metres – along with two figurative bronze sculptures, offering viewers an insight into Burgert’s shadowy reflections on the detritus surrounding the existence of mankind.

Interview with Gemma Metheringham, Chief Creative Officer at Karen Millen

Director Mary Nighy and Karen Millen teamed up to produce No More Tiaras for the launch of the company’s two global flagships. The 3 minute short celebrates individual style and looks at the brand’s recent evolution, and it is due to be screened in the Fashion film strand at the Aesthetica Short Film Festival 2014. Chief Creative Officer of Karen Millen, Gemma Metheringham, speaks to us about their new film, The Journey, and the rise of the fashion film genre over the years.

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Helen Chadwick, Bad Blooms, Richard Saltoun Gallery, London

One of the most important women artists to emerge in the last 30 years, Helen Chadwick stands at the intersection of conceptual-performative art and feminist thinking. Through her teaching posts she has influenced an entire generation of contemporary British artists, and in her career as a practitioner, Chadwick is recognised as one of the first women artists to be nominated for the Turner Prize.

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Review of Frieze London: The Acrobatic Rise of Performance Art

Like some sort of spandex-clad somersaulter often found in the medium itself, performance art has, in recent years, acrobatically risen to become the red-hot property in today’s contemporary art world. Ever since the mid-1960s, the likes of Yves Klein and Yoko Ono have been utilising the experimental and anti-commodity form to evoke radical messages and go against the commercial gallery grain. But nowadays, performance art is very much the toast of the establishment; in some cases for the better, and some for the worse.

Howard Hodgkin, Green Thought, 2014.

Howard Hodgkin, Green Thoughts, Alan Cristea Gallery, London

Alan Cristea Gallery presents Green Thoughts: a showcase of new work by one of Britain’s most admired abstract painters and printmakers, Howard Hodgkin. Previous Turner Prize-winner, British representative at the 1984 Venice Biennale, and CBE for his services to the arts, Hodgkin is an artist not to be missed. In his latest exhibition, 19 limited editions, including a special hand-painted carborundum relief entitled For Alan (2014), are revealed to the public for the first time. Printed in seven colour variations, these new works are a testament to both Hodgkin’s inspiring creative achievements, and his close long-standing working relationship with gallery owner and publisher Alan Cristea.

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Frieze London 2014: Highlights for the 12th Edition

The leading international contemporary art fair, Frieze London, returns to the heart of the UK’s capital, London’s Regent’s Park, for its 12th edition. Sponsored by Deutsche Bank and designed by Universal Design Studio, this autumn’s fair sees a few changes with the inclusion of two specialist sections: Focus, a celebration and fostering of emerging galleries up to 12 years old, and Live, a haven for performance or participatory-based work. Also new to 2014, is the fair’s novel allegiance to public space, using themes of contract, texture and tone. Design highlights of the fair’s bespoke housing include a timber-lined entrance courtyard and dedicated ancillary spaces.

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Jean Tinguely, Hauser & Wirth, Frieze Masters, London

Frieze Masters, 15-19 October, opens this week with a dynamic selection of galleries representing some inspirational names of the art world. As part of the annual art fair, Hauser & Wirth is celebrating the work of Jean Tinguely. Known for his kinetic and mechanically animated sculptures that explore the aesthetics of movement, Tinguely’s sculptural machines were built from found or familiar objects and rudimentary parts.