The Next Generation: Rosaline Shahnavaz

In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Rosaline Shahnavaz has produced work for the likes of Dazed and Confused, AnOther and Art Review, she speaks to us about her interest in documentary photography and her future plans.

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Review of Pencil / Line / Eraser, Carroll/Fletcher, London

The word process crops up in art speak so often it can easily become detached from its literal meaning. This is not the case at Carroll / Fletcher who use the notion of an action set in motion to connect the notion of craft to the art of the information age. It is pretty rare to find net.artists, or post-internet artists, displaying much sympathy for the medium of drawing – a positively 19th century activity to most – however several artists here do re-connect the graphic to the algorithmic by dwelling on what the drawn line shares with technology – the power of process.

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Pedro Reyes, Vasco Araújo and Akram Zaatari, The Power Plant Contemporary Art Gallery, Toronto, Canada.

Part of the internationally-focused Harbourfront Centre, The Power Plant showcases the latest work from artists around the world. This summer it opens three exciting new exhibitions by Pedro Reyes (b. 1972), Vasco Araújo (b. 1975) and Akram Zaatari (b. 1966). Although hailing from very different backgrounds, these artists are united by their perspectives on the world and their exploration of ideas.

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Larry Clark, Tulsa – Teenage Lust, Amsterdam

Widely considered one of the most important and influential photographers of his generation, American artist Larry Clark explores youth culture through his renowned and controversial projects. This summer Foam presents two of his earliest bodies of work, the series Tulsa (1971) and Teenage Lust (1983). Concerned with revealing a culture that was hidden to the greater public, Clark’s work offers a raw and unflinching look at the realities of young urban living in the 1970s and 1980s.

Review of Here and Elsewhere, New Museum, New York

As much as it might seem provincial that non-western art is categorised by geography and ethnicity, Here and Elsewhere at the New Museum, New York, does justice to this grouping. Encompassing a vast territory of over 15 countries in the Middle East that include Iran, Syria, Lebanon, Egypt, Turkey, Palestine, UAE, and Morocco, the question of fetishising locality at the cost of undermining high standards of art is met head on. Here we see artistic productions by artists challenged by exile and war.

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Chasing Time, The Olympic Museum, Switzerland

Time is a key part of competitive sport, much of which is rated according to speed; it’s an essential element for designating winners and losers and establishing records.  This new exhibition at The Olympic Museum in Lausanne, Switzerland explores the concept of time as it is understood and experienced in sport.

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5 To See This Weekend

This weekend there is the chance to a series of exceptional exhibitions across the world. The art on display ranges from provocative pieces of Neo-Concretism at MoMA, New York, to 17th century still life paintings at Queensland Art Gallery. Meanwhile in London, Whitechapel Gallery presents audiences with a thought-provoking retrospective of Giulio Paolini, charting the interweaving progressions of art itself. We handpick the very best in contemporary creative production this weekend, read on to find out more.

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Mario Schifano 1960-1967, Luxembourg & Dayan, London

One of Italy’s most significant post-war painters, Mario Schifano considered painting as an intrinsically human art form capable of capturing the lifeblood of contemporary culture. This exhibition at London’s Luxembourg & Dayan displays some of his seminal works from his most artistically intense period, 1960-1967. During this decade he experimented with media and other, new techniques.

Review of Joan Fontcuberta: Stranger Than Fiction, Media Space, London

The new 525m² Media Space of London’s Science Museum plays host to Spanish photographer, Joan Fontcuberta in a surreal show which challenges the authority of museum exhibitions. Comprising six of Fontcuberta’s best-known works, Stranger Than Fiction includes not only large-scale digital prints, photograms and small analogue works but also grotesque hybrid taxidermy pieces, narrative text works, found objects and land art.

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Fiona Banner: Wp Wp Wp, Yorkshire Sculpture Park

The unusual name of this new exhibition by UK artist Fiona Banner is inspired by the sound of helicopters as portrayed in comic books and storyboards. Wp Wp Wp is an onomatopoeically named collection of works that Banner began almost two years ago. A highlight of the show is her ambitious new project Chinook. Formed from two sets of helicopter blades suspended from the ceiling of the Yorkshire Sculpture Park’s Longside Gallery, Chinook emphasises the absence of the helicopter’s body. Careful choreography rotates the blades in opposition to one another above visitor’s heads as though preparing for lift-off, overlapping and suggesting collison.

Interview with Syrian Artist Tammam Azzam

Stepping into the Dubai based studio of acclaimed Syrian artist Tammam Azzam feels like a teleportation back to Damascus, where his career started. The Arabic tunes playing on the radio and the pleasant odor of coffee, paired with the vision of this organised, artistic mess found in studios, are a refreshing change from the glitz and glamour often associated with Dubai. Stacked against the walls, lay the experiments for his new work, in which he focuses on destroyed buildings seen in Damascus. He will explain about them soon, he says. Because they are only the result of his life experience, which he finds is important to describe first.

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Primrose: Early Colour Photography in Russia, The Photographers’ Gallery, London

This new exhibition at The Photographers’ Gallery in London traces the advancements in Russia, looking at the development of Russia’s social history through the context of colour experiments and the growth of colour photography in Russia over the course of a century.  Translated into Russian, the word “primrose” means “first colour” and is one of the earliest and most colourful flowers to bloom in the spring.  The exhibition features over 140 works, many of them never seen before in the UK, and moves through the progressive use of colour in early Soviet photography, covering a timespan from the 1860s to the 1980s arranged in five chronological sections.