This year, the Artangel Longplayer Conversation brings together Brian Eno and David Graeber to discuss present concerns and the long term potential for change. Eno is a cultural polymath, an artist, writer, producer and musician; Graeber meanwhile is an activist who has worked extensively with the Global Justice Movement and Occupy Wall Street and author of a number of books including the highly-acclaimed Debt: The First 5,000 Years and regularly writes for The Guardian, Al Jazeera and Harpers. In addition to this, he also currently holds the position of Professor of Social Anthopology at the London School of Economics.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Katie Bret-Day is influenced by the work of the Surrealists and has an interest in the materiality of photography. She has an affection for the traditional format of photography, but likes to combine this passion with digital methods to produce new and provocative pieces. Bret-Day speaks to us about the practitioners that have inspired her and how she communicates with her audience.
Leeds and Bradford’s festival of pioneering, experimental and underground music, film and art makes its return with new commissions from performers including avant-garde guitarist Stephen O’Malley of Seattle drone metallers Sunn O))), Nick Cave collaborator Blixa Bargeld, large folk ensemble Dark Northumbrian, legendary anarcho punks Zounds, Detroit hip hop group Slum Village, as well as Owls, David Thomas Broughton, Tom Hopkins, Giulia Ricci and many more.
The 20/21 British Art Fair opens today at the Royal College of Art, London. It is the only fair to specialise in Modern and Post-War art, but also feature work up to the present day. The college is often dubbed “the spiritual home of British art” and is the ideal setting for the fair. Running 10-14 September, the fair presents 55 exhibitors, who offer an inclusive collection of paintings, prints, drawings, photography, sculpture from the Modern (1900-1945), Post-War (1945-1970), and Contemporary (1970 onwards) periods. The intimate and friendly atmosphere appeals to the young, the first time buyer and the dedicated collector.
An established annual celebration of new photography, Unseen focuses on brand new photography talent as well as unseen work by established photographers. This year the fair takes place in the dramatic, vast expanse of Amsterdam’s Westergasfabriek which will house over 50 galleries from across the UK, Europe and Asia.
Daniel Buren is widely considered to be France’s greatest living artist and one of the most influential and important figures in contemporary art for the last 50 years. This summer Buren has transformed the west façade of BALTIC into a kaleidoscope of colour, visible outside and also inside the galleries, where Buren exhibits a major large-scale commission.
Spanning nine months and encompassing five decades of the artist’s oeuvre from 1969 to 2014, You Can’t Keep Acid in a Paper Bag is an iconic exhibition for several reasons. Not only is it the first comprehensive retrospective of Nalini Malani’s work to be exhibited in India – bringing home several installations and projects that have never been shown in her home country – it is also one of the largest solo exhibitions to be held at the Kiran Nadar Museum of Art (KNMA).
Initially realised in 1972 at The Student Cultural Centre in Belgrade, White Space was a room lined with white paper containing a tape recording of Marina Abramović repeatedly saying the words “l love you”. This work has never been recreated, until now, as it forms the centrepiece of a display of rare, historic Abramović works.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Corinne Silva’s vibrant photographs examine the use of the still and moving image in suggesting metaphysical space. Her visual language engages with the limits of lens-based media and its potential to explore the evolving relationship between politics, landscape and art histories. Silva speaks to us about her Imported Landscapes series and her dual use of photography and film.
Louise Bourgeois: A Woman Without Secrets currently on display at Middlesbrough Institute of Modern Art showcases the work of one of the greatest and most confessional artists of the 20th century. Most people associate the artist’s name with her overwhelming spider sculptures but there really is so much more to the works of the “woman without secrets”.
This September Sam Eugène’s second solo exhibition opens at Art Galleries Europe in London. A Digital Fauve introduces a brand new artist genre: Digital Fauvism. The form comes from the influence of les Fauves, a group of influential artists at work in the early 20th century. Eugène restores the techniques of the masters but adapts them for his individual practice as he merges Fauvism with photography and digital media.