Within the cavernous space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife. At first, mistakable for an abandoned theatre set, this stock photography menagerie is artist and poet Heather Phillipson’s most recent “head-sick” into a gallery space, forming an immersive terrain of film, audio and sculptural works.
Nestled in a small gallery adjacent to Manchester Art Gallery’s shop is a display of obscurely beautiful contemporary jewellery, which teeters on the edge of being fearsome. Old saw blades hold pearls and diamonds, while strings of broken bottle necks and spectacle eye glasses have been transformed into necklaces. Far from anyone’s usual expectations of jewellery, this is the world of contemporary artist Bernard Schobinger.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Þorsteinn Cameron’s work takes a look at technology’s influence in modern society. While dealing with a wide spectrum of modern mediums, Cameron’s practice has remained firmly grounded in the natural landscapes of Iceland.
Nick Cave’s self proclaimed role as a messenger is amply evident from his exhibition titled Made By Whites For Whites at the Jack Shainman Gallery, New York. In a recent conversation at the gallery with Denise Markonish, the curator of MASS MoCA that will host his large scale solo exhibition in 2016, Cave spoke of his social responsibility as an artist that marks a new direction and departure from his lavish, well-known Soundsuits.
Established in 2002, Korea International Art Fair (KIAF) has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and offers an opportunity for visitors to take a look at the best artists and institutions at work in the industry. In addition to the numerous exhibitors involved, KIAF presents a range of connected programmes to provide a more detailed overview of the market. Running 25-29 September this year, the fair displays the artists of today, while predicting the creatives of tomorrow.
Jenny Holzer has used government documents as a source for her work since 2004, and she has used language as her primary medium since the late 1970s. Whether this be placed on electronic signs or stone benches, Holzer’s text investigates how ideas are transformed from argument or opinion into fact.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Joachim Fleinert bases his practice on found photography. Inspired by the flea market rifling that defined his childhood, Fleinert loves to search for lost stories and lives in imagery. Fleinert speaks to us about the way he transforms old photography and his upcoming projects.
Bernd & Hilla Becher’s project to document the industrial landscape of post-war Europe, ongoing for over five decades, is timeless: contemporary photographs of monumental structures that bear no trace of current affairs, past events or future projections. This selection of works exemplifies their rigorous examination of architectural typologies, treading a fine line between similarity and difference, seemingly devoid of both utility and humanity.
A Road Through Shore Pine focuses on a new body of work by Robert Adams, a series of 18 never-before-seen photographs made in Nehalem Bay State Park, Oregon, in the autumn of 2013, which will be presented alongside Robert Adams: The Complete Books, 1970–2014. This is to be a survey of the artist’s deep involvement with the book form over a span of almost 45 years.
Photo.clothing combines the fad of all over prints on t-shirts with art, to produce vibrant and unique items of clothing. The team have joined up with Magnum photographers Martin Parr and David Alan Harvey and have created 500 t-shirts with their distinctive photographs. All of the shirts are hand printed in London on high-quality materials that stays wrinkle free and soft to the hand. Photographers are invited to join the community and submit their own photographs to be transformed into a fashionable garment. We speak to the developer of Photo Clothing, Michael Hanreck, about the company and his favourite designs.
Dave Wise was once described by the producers of hit TV show Britain’s Next Top Model as “… part of the fashion elite” and is now a long way from where he began with his camera at the age of 5. Describing his work, he says: “The thought of tomorrow is so exciting, the next project, one step closer to the day after that; and it all starts all over again”. His work has appeared across the globe and clients include United Agents, The Artists Partnership, EFFIGY Magazine, FIASCO Magazine, Vogue.com, Universal Records, BOX Boutique, Christophe Willem, Channel 4, Junipero Magazine and Concierge Magazine.
Degrees of Separation at Maddox Arts explores the legacy of the Modern Masters who were pioneering geometric abstraction and kinetic art in the 1950s and 1960s. The exhibition responds to the work of these influential artists and looks at how contemporary practitioners are continuing to uses these art forms today. Artists such as Carlos Cruz-Diez, Abraham Palatnik and Julio le Parc are included in the show and the presentation of their work together develops a unique discourse between the various approaches to the genre. Aesthetica speaks to curator Laura Culpan about the development of Degrees of Separation and the future plans for Maddox Arts.