Counterpoint showcases works by eight contemporary Scottish artists as part of the Edinburgh Art Festival and GENERATION a major nationwide survey of some of Scotland’s most prominent artists from the last 25 years. The show presents works by artists crossing boundaries between philosophy, technology, science fiction and the aesthetics and politics of everyday life. And features a recurring theme that questioning notions of authority and autonomy.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. In 2012 Jordi Ruiz Cirera won the Taylor Wessing Photographic Prize for the portrait he shot when he spent time with the Menonites, a closed community in Bolivia. Ruiz Cirera tells us about what draws him to take a photo and the impact of awards on his career.
Love’s ability to sink its intractable teeth into the soul resonated through the Hayward’s new Project Space show What’s Love Got To Do With It. The exhibition is part of the Southbank Centre’s Festival of Love and provides a contemplative counterpoint to the Human Factor show downstairs in the Hayward’s main space. It feels apt that the subject of love has been elevated to this higher level, above the corporeal wrenching of the Human Factor’s often grizzled sculptures.
What are the boundaries between musical instruments and artistic practice? How can one define the properties and influence of sound over our senses? Fondazione Prada’s exhibition at the magnificent neoclassical palace of Ca’ Corner della Regina in Venice takes us on a remarkable journey of art and sound.
“I think there is a world market for maybe five computers” said Thomas Watson, chairman of IBM, in 1943, proving again that in the realm of technology it is very dangerous to make any prediction at all. So although the Barbican’s Digital Revolution is an exhibition of 30-ish years of digital art, computers, websites, CGI, music videos and games rather than a manifesto, there is still some slight hubris-in-the-making at work in its putting games made in the 1990s alongside examples of contemporary technology and artwork. You feel the future looking over your shoulder throughout, and the future has a tendency to assume we were all quaint. So the Barbican is to be admired and not envied: it has curated a show that will end up being discovered as what 2014 thought of itself.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.
Taking our appetite for sugar as a starting point to create images of a corrupted globalisation, James Ostrer takes over the glass façade and ground floor of the Gazelli Art House, as part of its Window Project, to present the unsavoury side of our addiction to the sweet stuff. Ostrer’s photographs of human subjects covered in layers of sweets and foodstuffs have a cartoon-like absurdity while exploring self-destructive behaviours and drawing attention to the volumes of sugar that flow through our bodies and our dietary culture.
Australian artist Patricia Casey works with photography and embroidery to make complex images that explore inner worlds with her series, Little Secrets. Casey believes that we all have an inner core that we do not reveal to even those with whom we are closest. Little secrets that we keep to ourselves. Interior landscapes inaccessible to others. A flow of energy gently vibrates from the surface of each artwork, enticing the viewer to imagine a secret world beneath these dreamlike images. Casey’s work is highly collectible and is currently available for viewing at Stephanie Hoppen Gallery in London and NG Art Gallery in Sydney.
The Natural History Museum of London is a space of gargantuan proportions. The main entrance leads to a cavernous hall that comfortably houses the skeletal frame of a Diplodocus. Several feet away, on the landing of a pronged staircase, sits an oversized, marble statue of Charles Darwin. This is the scene that served as the backdrop to my initial encounter with vocalist, bassist, producer and actress Shingai Shoniwa of the Noisettes fame. She descended the staircase to deliver a bombastic show for a private, formal event that made the massive fossil and the historical giant she was sandwiched in between look like mere toys in her presence.
This weekend is an opportunity to visit a range of diverse and extraordinary exhibitions. From foregrounding emerging Welsh photographers at Ffotogallery in Cardiff to a retrospective account of artist Oscar Muñoz’s forty year career at Jeu de Paume in Paris, galleries across the globe are showcasing the best of the art world, both past and present. Read on to see our five recommended shows.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Rosaline Shahnavaz has produced work for the likes of Dazed and Confused, AnOther and Art Review, she speaks to us about her interest in documentary photography and her future plans.
The word process crops up in art speak so often it can easily become detached from its literal meaning. This is not the case at Carroll / Fletcher who use the notion of an action set in motion to connect the notion of craft to the art of the information age. It is pretty rare to find net.artists, or post-internet artists, displaying much sympathy for the medium of drawing – a positively 19th century activity to most – however several artists here do re-connect the graphic to the algorithmic by dwelling on what the drawn line shares with technology – the power of process.