Samantha Donnelly is known for her experimental assemblage and collage works, which combine awkward and beautiful, often overtly feminised materials and images into telling combinations. Donnelly uses high colour and shiny textured surfaces: make-up, false nails and other feminine detritus amongst more robust applications of fabric, plaster, wood, sheet plastics and holographic papers. Donnelly comments on the territory of marketed, consumed and performed femininity. She also carefully attends to the evocations her work produces across the whole gallery space; individual works form lyrical pools of colour interspersing mass with line, the baroque and the modern, refinement with excess.In her new work Reception at Standpoint Gallery, Donnelly turns her gaze to corporate reception spaces, sites of welcome and of social / economic filtering. She reimagines the interconnected spaces at Standpoint as a series of ‘welcome areas’.
Aesthetica spoke to Samantha about her new exhibition, Reception.
