Filmmaker Series – Part 2 Q&A with the Runners-up The Varava Brothers

Below is a Q&A with Jared Varava from the American filmmaking duo, the Varava Brothers. As one of the longer shorts on the Aesthetica Shorts DVD, it’s a brilliant narrative that highlights the modern-day dilemma. A man decides that his life needs to be changed. He takes an enlightening and competitively priced journey of self-discovery in today’s self-obsessed world.

Bailey_Tim_ TheDebutante_2008_oil on canvas_40_5x30_5 cm

Review: Fade Away at Transition Gallery, London

Review by Charles Danby

Following hot on the heels of Transition’s inaugural ART BLITZ auction, a call to arms against impending arts cuts in the UK, the exhibition Fade Away retains a maxim of mass action and presentation, with the large group exhibition this time directed towards the hinterland between painted representation and painterly abstraction.


Review: High Society at the Wellcome Collection

Review by Robert J. Wallis, a Professor of Visual Culture & Director MA in Art History at Richmond The American International University in London.

“Every society on Earth is a high society”: from the caffeine in our morning tea and coffee to over-the-counter pain-killers and a “drink” on the way home from work, to hallucinogenic snuffs used by shamans in Venezuela, drugs are a universal part of human existence. This is the overarching theme of the excellent High Society exhibition at the Wellcome Collection in London (until 27 February 2011).


Aesthetica Magazine Gift Guide 2010

It’s that time of year again and at Aesthetica we’re already excited about the festive season. The Christmas we’ll be avoiding the high-street chains (apart from WH Smith to pick up the Dec/Jan issue of course!) and buying our gifts from independent artists and makers.

Unearthing the Pen

Filmmaker Series – Q&A with Finalists from the Aesthetica Short Film Competition

To celebrate the launch of the Aesthetica Shorts 2011 DVD, there is a feature on the nature of short films and a discussion of the current film industry in the Dec/Jan issue of Aesthetica.