Artificial Worlds

Signe Pierce’s Faux Realities brings together 30 photographs that showcase an innovative vision for a highly-saturated, hyperreal world. Combining luminescent colours and artificial tonalities, the images call into question the element of truth within image-based practices. In doing so, the role of the artist becomes one of surreal authority; one that can edit, compose and create new landscapes and identities through an excessive spectrum of possibility.

At Annka Kultys Gallery, London, until 1 July. For more information: www.annkakultys.com

Credits:
1. SIGNE PIERCE, Neon Palm (Studio City). 2015.

Posted on 29 June 2017

Globalised Landscapes

Working in both photography and filmmaking, Robert Harding Pittman questions the difference between what is deemed to be nature and what is natural. Through his image-work he considers the contrast between manmade constructions and organic growth, exploring whether humanity controls and interrupts evolution or is just part of the process.

Metropolitan Introspection

The third annual LensCulture Street Photography Awards invites artists to delve back into the world of the quotidian through the lens of the metropolis.

Photographic Brilliance

The V&A expands its vast photography section with the transfer of the Royal Photographic Society collection from the Science Museum Group.