JUCO return to Aesthetica with characteristically bold images that demonstrate excellence in art direction and photography.
A catalogue of the sublime everyday, Tekla Evelina Severin’s collection focuses on intimate, stylised instances and communicates a sense of joy.
Focusing on tropical motifs and idealistic landscapes, Adrienne Raquel’s works are playful and vibrant, communicating a sense of nostalgia and optimism.
Deeply mystical and ritualistic, Alexis Pichot’s series Marche Céleste establishes the supremacy of nature as a powerful, universal and innate force.
A Berlin-based studio brings bioplastic into the fashion industry by experimenting with plant-based processes to address the global issue of waste.
Salvador Cueva’s images have been acclaimed for their representations of time and memory in the urbanised, almost ornamental metropolis.
The vastness of the Scandinavian landscape is highlighted in Norway Contemporary! currently on show at Museum Kunst der Westküste.
Encompassing 40 photographs, Silver Lake Drive is a major new exhibition that marks the first mid-career survey of Alex Prager at The Photographers’ Gallery.
It is less than a month to go until the Future Now Symposium, a two day event which brings together leading arts organisations.
A new exhibition of works by Viviane Sassen at the Hepworth Wakefield offers fragmented compositions and hyperreal landscapes.
Harry Gruyaert was one of the first European photographers to embrace the potential of colour. His iconic work is on show at Fotomuseum Antwerp.
Key fairs, awards and solo shows running 21-22 April celebrate the diversity of human experience through innovative practice.
The cinematic images of photographer Todd Hido are both compelling and melancholy, drawing upon memories of vanished suburban neighbourhoods.
The World Photography Organisation announce the overall winners of the Sony World Photography Awards 2018.
Anja Niemi returns with an uncanny series that lookg at the iconic image of the cowboy, a symbol largely drawn from the myths of wild west movies.
Photographer Julia Fullerton-Batten’s most recent body of work is inspired by the River Thames and its historical significance.
Ahead of a panel discussion at Future Now, Jasmina Cibic explores how artists’ film is establishing itself as a standalone genre that reflects social attitudes.
Blurring the lines between artificiality and reality, Noémie Goudal combines sublime natural landscapes with staged interventions.
Reginald Van de Velde’s images provide an oasis for reflection. A selection of reflective photographs will be showcased at the Aesthetica Art Prize Exhibition.
Dreamy doesn’t do justice to Maia Flore’s images, on show at Galerie Esther Woerdehoff, Paris. Au lieu de ce monde places physicality at the centre.
Returning with timely programmes, new exhibitors and a fresh layout, Frieze New York is an imaginative arena for the arts.
Shortlisted artist Electra Lyhne-Gold questions the wider impact of advertising by fragmenting the language of publicity.
From future cities to manufactured histories, exhibitions open 14-15 April surpass the temporal world to offer new visions of reality.
Ellen Jantzen unearths new states of reality through digital manipulation, looking beyond the surface to reveal new layers of meaning.
Lumen Prize are attending the Aesthetica Future Now Symposium to discuss how prizes help artists to develop. Carla Rapport expands upon the idea.
Formerly a cinema set painter, Lorenzo Vitturi’s photographic style in infused with performativity. Money Must be Made opens at Flowers Gallery.
The 2018 Aesthetica Art Prize exhibition explores the effects of over-consumption, media stimulation and emotional disconnection in today’s world.
The top picks for 7-8 April offer global dialogues, navigating international domains from China to Germany to examine a changing landscape.
In an increasingly digital world, a group of practitioners work to keep the bespoke alive at Burning Man, an annual creative gathering.
Perspective Office is a new sustainable building designed by Slash Architects, an award-winning firm that works with a holistic approach.
A testament to the interdisciplinary nature of photography, Kate Ballis creates unique, colour-drenched images using infrared technology.
Francesca Canepa rallies against fast fashion. She discusses her new collection, one which translates Japanese tradition into minimalist draping.
The Hayward Gallery has reopened post-refurbishment with a prodigious exhibition by German photographer Andreas Gursky.
In an ever-quickening urban landscape, Steve Macleod’s new series offers a serene alternative; a true vision of wilderness.
The Aesthetica Art Prize is a celebration of emerging and established artists. The 12 shortlisted works define a new vocabulary for life in the 21st century.
Drawing on the duo’s ethos of looking beyond expectations, a new book from Phaidon tells the story of Snarkitecture’s rise within the industry.
The April / May edition captures the zeitgeist of our times. We look at how the world is developing and how art and design are commenting on that.
A large scale sculptural installation by Philip K. Smith III in collaboration with COS opens during international design fair Salone del Mobile.
Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.
This month’s photographers play with shadows and colour to evoke a variety of emotions surrounding conflicting psychological landscapes.
Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.
The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.
Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.
Marian Goodman Gallery, Paris, revisits Ettore Spalletti’s monochromatic, minimalist panels with What is the most profound in a man, is the skin.
Practitioners featured at The Other Art Fair explore and subvert the everyday through new and surprising methods.
By 2050, 70% of the world’s population will live in urbanised surroundings. Current exhibitions embrace, escape and offer solutions to this issue.
New York Times invites a mix of practitioners, industry experts and prolific tastemakers to discuss the most pressing issues in art today.
Only 30% of artists represented by commercial galleries are women. Exhibitors at Photo London foreground a strong female presence.
The selection for 17-18 March celebrates the past, present and future of creative practice through performance, installation and images.
Miles Aldridge collaborates with other creatives, building cinematic narratives that engage with image-making from all angles.
